| LDR | | 05354cmm u2200673Ii 4500 |
| 001 | | 000000307823 |
| 003 | | OCoLC |
| 005 | | 20230525113632 |
| 006 | | m o d |
| 007 | | cr cnu|||unuuu |
| 008 | | 151201t20162016enk ob 001 0 eng d |
| 019 | |
▼a 935249038 |
| 020 | |
▼a 9781472531100
▼q (electronic bk.) |
| 020 | |
▼a 1472531108
▼q (electronic bk.) |
| 020 | |
▼z 9781472525406 |
| 029 | 1 |
▼a DEBSZ
▼b 454928874 |
| 029 | 1 |
▼a DEBBG
▼b BV043627345 |
| 035 | |
▼a (OCoLC)930703386
▼z (OCoLC)935249038 |
| 040 | |
▼a N$T
▼b eng
▼e rda
▼e pn
▼c N$T
▼d N$T
▼d IDEBK
▼d CDX
▼d YDXCP
▼d OCLCF
▼d OCLCQ
▼d CUS
▼d OCLCQ
▼d EBLCP
▼d DEBSZ
▼d 248032 |
| 049 | |
▼a MAIN |
| 050 | 4 |
▼a ML3790 |
| 072 | 7 |
▼a MUS
▼x 006000
▼2 bisacsh |
| 072 | 7 |
▼a MUS
▼x 033000
▼2 bisacsh |
| 082 | 04 |
▼a 780.68
▼2 23 |
| 100 | 1 |
▼a Dumbreck, Allan,
▼e author. |
| 245 | 10 |
▼a Music entrepreneurship /
▼c Allan Dumbreck and Gayle McPherson. |
| 264 | 1 |
▼a London :
▼b Bloomsbury Methuen Drama,
▼c 2016. |
| 264 | 4 |
▼c 짤2016 |
| 300 | |
▼a 1 online resource. |
| 336 | |
▼a text
▼b txt
▼2 rdacontent |
| 337 | |
▼a computer
▼b c
▼2 rdamedia |
| 338 | |
▼a online resource
▼b cr
▼2 rdacarrier |
| 504 | |
▼a Includes bibliographical references and index. |
| 505 | 0 |
▼a Cover page; Halftitle page; Title page; Copyright page; Epigraph; CONTENTS; ACKNOWLEDGEMENTS; LIST OF CONTRIBUTORS; LIST OF CASE STUDIES; LIST OF INTERVIEWS; PART ONE Overview; 1 Introduction: Valuing Music; Valuing music: Production and consumption; Who is the young music entrepreneur?; Outline of the book; Conclusion; References; 2 The Need for the Music Entrepreneur; The nature of the music industries; Record labels: Fluctuating economy/ new business models; Emerging territories; The music entrepreneur; Which skills might the music entrepreneur need? |
| 505 | 8 |
▼a Art versus commerce: Striking a balanceSelf- belief: Opportunity/motivation; Challenge/determination/failure as a learning experience; Networking; Exchanging not buying; Passion/work ethic; Summary: Characteristics of the music entrepreneur; Conclusions: Entrepreneurship in music education; Notes; References; 3 From DIY to D2F: Contextualizing Entrepreneurship for the Artist/Musician; Introduction; Part 1: Entrepreneurship and DIY; From Punk to post-Punk; Part 2: Major labels and 360-degree deals; Part 3: From DIY to D2F; Part 4: Playing the platforms; Part 5: The D2F entrepreneur; Conclusion |
| 505 | 8 |
▼a NotesReferences; 3A Example Case Study?: The Professional Musician; Case study: Ross McFarlane (professional musician); References; PART TWO Sectors and Case Studies; 4 Artist Managers and Entrepreneurship: Risk- takers or Risk Averse?; Introduction; The changing nature and reputation of artist managers; Locating the artist manager as an entrepreneur; Case study: Sumit Bothra (ATC Management); Case study: Princess Nyah (self- managing artist); Conclusion; Notes; References; Websites; 5 Live Music; Outline; Introduction; The role of the entrepreneur in the live sector |
| 505 | 8 |
▼a Case study: Goc O'Callaghan (ArcTanGent Festival)Case study: Joe Smillie, the Glad Cafe?; Conclusion; References; Useful sources; 6 Entrepreneurship and Music Technology Practitioners; Key concepts and issues; Case study: Chantal Epp (Synergy Sounds); Case study: Helen Atkinson (Producer/Engineer at RAK Studios); Conclusion; Notes; References; Websites; 7 Recorded Music; The recorded music sector; Copyright issues; The record company entrepreneur; Case study: Jay Frank (DigSin); Case study: Mark Orr ( LAB Records); Summary; Conclusions; Notes; References; 8 Digital Music Distribution |
| 505 | 8 |
▼a Web 3.0 and digital music distributionIndependent artists as prosumers: Tools for digital distribution; The digital distribution landscape; Sector overview; Digital aggregators; Digital retailers; Streaming services; New developments: Tidal; Subscription services; Crowdfunding platforms; Digital content management platforms; Case study: EmuBands (Ally Gray); Case study: Jessica Carmody (Account Manager at PledgeMusic UK); 'I'm not an entrepreneur': A British perspective?; References; Websites; 9 Music Publishing: How to Understand and Engage with Copyright in the Digital World; Introduction |
| 588 | 0 |
▼a Online resource; title from PDF title page (EBSCO, viewed December 2, 2015). |
| 590 | |
▼a eBooks on EBSCOhost
▼b All EBSCO eBooks |
| 650 | 0 |
▼a Music trade. |
| 650 | 0 |
▼a Music
▼x Economic aspects. |
| 650 | 0 |
▼a Entrepreneurship. |
| 650 | 7 |
▼a MUSIC
▼x Genres & Styles
▼x Classical.
▼2 bisacsh |
| 650 | 7 |
▼a MUSIC
▼x Reference.
▼2 bisacsh |
| 650 | 7 |
▼a Entrepreneurship.
▼2 fast
▼0 (OCoLC)fst00912787 |
| 650 | 7 |
▼a Music
▼x Economic aspects.
▼2 fast
▼0 (OCoLC)fst01030314 |
| 650 | 7 |
▼a Music trade.
▼2 fast
▼0 (OCoLC)fst01030641 |
| 655 | 4 |
▼a Electronic books. |
| 655 | 0 |
▼a Electronic books. |
| 700 | 1 |
▼a McPherson, Gayle,
▼d 1968-,
▼e author. |
| 776 | 08 |
▼i Print version:
▼a Dumbreck, Allan.
▼t Music entrepreneurship.
▼d London : Bloomsbury Methuen Drama, 2016
▼z 9781472525406
▼w (OCoLC)933426369 |
| 856 | 40 |
▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1104191 |
| 938 | |
▼a Coutts Information Services
▼b COUT
▼n 29919032 |
| 938 | |
▼a EBSCOhost
▼b EBSC
▼n 1104191 |
| 938 | |
▼a Ingram Digital eBook Collection
▼b IDEB
▼n cis29919032 |
| 938 | |
▼a YBP Library Services
▼b YANK
▼n 12692007 |
| 938 | |
▼a EBL - Ebook Library
▼b EBLB
▼n EBL4187328 |
| 990 | |
▼a 관리자 |
| 994 | |
▼a 92
▼b KRKUC |