| LDR | | 05353cmm u2200649Ki 4500 |
| 001 | | 000000307427 |
| 003 | | OCoLC |
| 005 | | 20230525112722 |
| 006 | | m o d |
| 007 | | cr cnu---unuuu |
| 008 | | 150311s2015 enka o 001 0 eng d |
| 019 | |
▼a 905993219
▼a 908046471 |
| 020 | |
▼a 9781472522641
▼q electronic bk. |
| 020 | |
▼a 1472522648
▼q electronic bk. |
| 020 | |
▼z 9781408185469 |
| 020 | |
▼z 1408185466 |
| 020 | |
▼z 9781408184905 |
| 035 | |
▼a (OCoLC)904694978
▼z (OCoLC)905993219
▼z (OCoLC)908046471 |
| 040 | |
▼a N$T
▼b eng
▼e rda
▼e pn
▼c N$T
▼d IDEBK
▼d E7B
▼d YDXCP
▼d EBLCP
▼d 248032 |
| 049 | |
▼a MAIN |
| 050 | 4 |
▼a PN2061
▼b .B75 2015eb |
| 072 | 7 |
▼a PER
▼x 011000
▼2 bisacsh |
| 082 | 04 |
▼a 792.02/8
▼2 23 |
| 084 | |
▼a PER001000
▼2 bisacsh |
| 100 | 1 |
▼a Britten, Bill,
▼e author |
| 245 | 10 |
▼a From stage to screen :
▼b a theatre actor's guide to working on camera /
▼c Bill Britten. |
| 264 | 1 |
▼a London, UK ;
▼a New York :
▼b Bloomsbury Methuen Drama,
▼c 2015. |
| 300 | |
▼a 1 online resource (vii, 237 pages) :
▼b illustrations. |
| 336 | |
▼a text
▼b txt
▼2 rdacontent |
| 337 | |
▼a computer
▼b c
▼2 rdamedia |
| 338 | |
▼a online resource
▼b cr
▼2 rdacarrier |
| 500 | |
▼a Includes index. |
| 505 | 0 |
▼a Title Page; Copyright Page; CONTENTS; ACKNOWLEDGEMENTS; FOREWORD; INTRODUCTION; Chapter 1 LET'S PRETEND; Acting is easy; Acting is difficult; The intellectual actor; Developing yourself; Emotional intelligence; Chapter 2 THE BIG DIFFERENCES; The similarities; The differences; Section 1 -- SHOWING, SHARING AND THE INNER WORLD; Chapter 3 SHOWING AND SHARING; The act of observing changes the thing that's being observed; Showing; Where's your attention?; Don't just do something, stand there; Chapter 4 THE INNER WORLD; The close-up and the inner monologue; Chapter 5 LISTENING. |
| 505 | 8 |
▼a Listening and the inner worldPoint of attention; Spontaneity; Chapter 6 COMMITMENT; Creating the imaginary world; Commitment; Section 2 -- MAKE THE SHOT WORK; Chapter 7 FILMING -- THE BIG PICTURE; Development (and pre-pre-production); Three phases of production; Pre-production; Post-production; Production; Meeting the schedule; Collaboration; Practice; Chapter 8 UNDERSTANDING THE SHOTS; Single versus multi-camera shooting; What do I need to know about the shots and camera terminology?; Chapter 9 GLOSSARY OF SHOTS; Master; Wide/Mid/Close; Single; Dirty/Clean; 2 Shot; Tracking shot; Coverage. |
| 505 | 8 |
▼a Set-upsReverse; Slate; Working with technophile/geek actors; Chapter 10 HITTING MARKS; Marks; Focus; Putting down marks; How to hit your marks; The soft bag; The real challenge; Practice; Chapter 11 OVERLAPS; Why overlaps matter; Chapter 12 CONTINUITY; Why continuity matters; Movement drives the cut; How to manage your continuity; Emotional continuity; Practice; Chapter 13 POSITIONING YOURSELF FOR THE CAMERA; Opposing singles; Finding the camera; Reverses; Standing up and sitting down; Chapter 14 THE VOICE; Projection; Mumbling; Chapter 15 FACIAL AWARENESS; Facial awareness; Eye movement. |
| 505 | 8 |
▼a BlinkingAround the eyes; Eye contact; The mouth and the jaw; Swallowing; Using this awareness; Chapter 16 PLAYING THE CAMERA; The doughnut; Eye movement; Knowing and not-knowing; Looking down; Lateral eye movement; Repeated eye movements; Chapter 17 LOVING THE CAMERA; Loving the camera; Section 3 -- DOING IT; Chapter 18 GETTING THE JOB; Castings; Improving the odds; In the room; Filming yourself for castings; Chapter 19 PREPARATION; Creating a character; Chapter 20 BODY HEAT -- PLOT SYNOPSIS; Chapter 21 PREPARING TEDDY; Start with the facts; Assumptions; Creating a past; Make it relevant. |
| 505 | 8 |
▼a Shared historyWhat happened today?; What do you want?; Chapter 22 PREPARING THE TEXT; Learning the lines; Delivering the lines; Parentheses; Subtext and inter-text; Subtext and inter-text in Body Heat; Out there to in here and back again; Teddy's second scene; Chapter 23 MAPPING; Larger parts; Summarize the scenes; Asking the right questions; Chapter 24 THE READTHROUGH; Chapter 25 AT THE SHOOT; Getting there; The call sheet; Arriving at the set or location; Your scene partner(s); Waiting, waiting, waiting; Preparing yourself; Phones; Chapter 26 WHO'S WHO IN THE CREW. |
| 520 | |
▼a "From Stage to Screen is a handbook for the professional actor packed with advice on how to make the transition and fully prepare for a TV or film role"--
▼c Provided by publisher. |
| 588 | 0 |
▼a Print version record. |
| 590 | |
▼a eBooks on EBSCOhost
▼b All EBSCO eBooks |
| 650 | 0 |
▼a Acting. |
| 650 | 7 |
▼a PERFORMING ARTS / Acting & Auditioning.
▼2 bisacsh |
| 650 | 7 |
▼a Acting.
▼2 fast
▼0 (OCoLC)fst00796146 |
| 650 | 7 |
▼a PERFORMING ARTS / Theater / General
▼2 bisacsh |
| 650 | 4 |
▼a Acting
▼x History. |
| 650 | 4 |
▼a Acting. |
| 650 | 4 |
▼a Performing arts
▼x Acting & auditioning. |
| 655 | 4 |
▼a Electronic books. |
| 655 | 0 |
▼a Electronic books. |
| 776 | 08 |
▼i Print version:
▼a Britten, Bill, author.
▼t From stage to screen
▼z 9781408185469
▼w (DLC) 2014009098
▼w (OCoLC)881848412 |
| 856 | 40 |
▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=964302 |
| 938 | |
▼a EBSCOhost
▼b EBSC
▼n 964302 |
| 938 | |
▼a Ingram Digital eBook Collection
▼b IDEB
▼n cis31168063 |
| 938 | |
▼a ebrary
▼b EBRY
▼n ebr11033077 |
| 938 | |
▼a YBP Library Services
▼b YANK
▼n 12332056 |
| 938 | |
▼a EBL - Ebook Library
▼b EBLB
▼n EBL1991945 |
| 990 | |
▼a 관리자 |
| 994 | |
▼a 92
▼b KRKUC |