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019 ▼a 884547515 ▼a 884725834 ▼a 923498757 ▼a 961612832 ▼a 962663950
020 ▼a 9780252096112 ▼q (electronic bk.)
020 ▼a 0252096118 ▼q (electronic bk.)
020 ▼z 9780252038259
020 ▼z 1306980917
020 ▼z 9781306980913
020 ▼z 0252038258
020 ▼z 9780252079832
020 ▼z 0252079833
0291 ▼a CHNEW ▼b 000667474
0291 ▼a CHNEW ▼b 000687959
0291 ▼a CHNEW ▼b 000687960
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0291 ▼a DEBBG ▼b BV043958466
035 ▼a (OCoLC)889305928 ▼z (OCoLC)884547515 ▼z (OCoLC)884725834 ▼z (OCoLC)923498757 ▼z (OCoLC)961612832 ▼z (OCoLC)962663950
037 ▼a 629342 ▼b MIL
037 ▼a 22573/ctt72b73t ▼b JSTOR
037 ▼a AE6CA65A-7FD4-43C3-B649-0BCBC8667FF0 ▼b OverDrive, Inc. ▼n http://www.overdrive.com
040 ▼a E7B ▼b eng ▼e rda ▼e pn ▼c E7B ▼d OCLCO ▼d N$T ▼d P@U ▼d IDEBK ▼d JSTOR ▼d ITS ▼d YDXCP ▼d OCLCF ▼d TEFOD ▼d EBLCP ▼d OCLCQ ▼d DEBSZ ▼d OCLCA ▼d ICA ▼d 248032
043 ▼a n-us---
049 ▼a MAIN
050 4 ▼a E443 ▼b .T466 2014eb
072 7 ▼a SOC ▼x 005000 ▼2 bisacsh
072 7 ▼a HIS036040 ▼2 bisacsh
072 7 ▼a PER003000 ▼2 bisacsh
072 7 ▼a SOC001000 ▼2 bisacsh
08204 ▼a 390/.250973 ▼2 23
084 ▼a SOC001000 ▼a PER003000 ▼a HIS036040 ▼2 bisacsh
1001 ▼a Thompson, Katrina Dyonne, ▼e author.
24510 ▼a Ring shout, wheel about : ▼b the racial politics of music and dance in North American slavery / ▼c Katrina Dyonne Thompson.
264 1 ▼a Urbana [Illinois] : ▼b University of Illinois Press, ▼c 2014.
264 4 ▼c 짤2014
300 ▼a 1 online resource (257 pages).
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b c ▼2 rdamedia
338 ▼a online resource ▼b cr ▼2 rdacarrier
4901 ▼a New Black Studies Series
500 ▼a Includes index.
504 ▼a Includes bibliographical references and index.
5050 ▼a The script : "Africa was but a blank canvas for Europe's imagination" -- Casting : "They sang their home-songs, and danced, each with his free foot slapping the deck" -- Onstage : "Dance you damned niggers, dance" -- Backstage : "White folks do as they please, and the darkies do as they can" -- Advertisement : "Dancing through the Streets and act lively" -- Same script, different actors : "Eb'ry time I weel about, I jump Jim Crow" -- Epilogue : the show must go on -- --
520 ▼a "In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved. As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion. Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots"-- ▼c Provided by publisher.
546 ▼a Text in English.
5880 ▼a Print verison record.
590 ▼a eBooks on EBSCOhost ▼b All EBSCO eBooks
650 0 ▼a Slaves ▼z Southern States ▼v Songs and music.
650 0 ▼a Slaves ▼z United States ▼x Social life and customs.
650 0 ▼a Race in the theater ▼z United States ▼x History.
650 0 ▼a Theater and society ▼z United States ▼x History.
650 0 ▼a African American dance ▼x History.
650 0 ▼a Slavery ▼z United States ▼x Justification.
650 0 ▼a Plantation life ▼z United States.
650 0 ▼a Racism in popular culture ▼z United States ▼x History.
650 4 ▼a Theater and society ▼z United States ▼x History.
650 7 ▼a SOCIAL SCIENCE ▼x Ethnic Studies ▼x African American Studies. ▼2 bisacsh
650 7 ▼a PERFORMING ARTS ▼x Dance ▼x General. ▼2 bisacsh
650 7 ▼a HISTORY ▼z United States ▼x 19th Century. ▼2 bisacsh
650 7 ▼a SOCIAL SCIENCE ▼x Customs & Traditions. ▼2 bisacsh
650 7 ▼a African American dance. ▼2 fast ▼0 (OCoLC)fst00799132
650 7 ▼a Plantation life. ▼2 fast ▼0 (OCoLC)fst01065779
650 7 ▼a Race in the theater. ▼2 fast ▼0 (OCoLC)fst01744919
650 7 ▼a Racism in popular culture. ▼2 fast ▼0 (OCoLC)fst01086660
650 7 ▼a Slavery ▼x Justification. ▼2 fast ▼0 (OCoLC)fst01120462
650 7 ▼a Slaves. ▼2 fast ▼0 (OCoLC)fst01120522
650 7 ▼a Slaves ▼x Social life and customs. ▼2 fast ▼0 (OCoLC)fst01120581
650 7 ▼a Theater and society. ▼2 fast ▼0 (OCoLC)fst01149315
651 7 ▼a Southern States. ▼2 fast ▼0 (OCoLC)fst01244550
651 7 ▼a United States. ▼2 fast ▼0 (OCoLC)fst01204155
655 4 ▼a Electronic books.
655 7 ▼a History. ▼2 fast ▼0 (OCoLC)fst01411628
655 7 ▼a Music. ▼2 fast ▼0 (OCoLC)fst01423855
655 0 ▼a Electronic books.
77608 ▼i Print version: ▼a Thompson, Katrina Dyonne. ▼t Ring shout, wheel about : the racial politics of music and dance in North American slavery. ▼d Urbana, [Illinois] : University of Illinois Press, 짤2014 ▼h x, 242 pages ▼k New Black studies. ▼z 9780252038259
830 0 ▼a New Black studies series.
85640 ▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=816323
938 ▼a EBL - Ebook Library ▼b EBLB ▼n EBL3414368
938 ▼a ebrary ▼b EBRY ▼n ebr10901916
938 ▼a EBSCOhost ▼b EBSC ▼n 816323
938 ▼a Ingram Digital eBook Collection ▼b IDEB ▼n cis28680262
938 ▼a Project MUSE ▼b MUSE ▼n muse32434
938 ▼a YBP Library Services ▼b YANK ▼n 11999660
990 ▼a 관리자
994 ▼a 92 ▼b KRKUC