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LDR03387cmm uu200529Ka 4500
001000000302020
003OCoLC
00520230519144340
006m o d
007cr cnu---unuuu
008130716s2013 njua ob 001 0 eng d
020 ▼a 9780813560601 (electronic bk.)
020 ▼a 0813560608 (electronic bk.)
020 ▼a 9781461934974 (electronic bk.)
020 ▼a 1461934974 (electronic bk.)
020 ▼z 9780813560595
020 ▼z 0813560594
020 ▼z 9780813560588
020 ▼z 0813560586
035 ▼a (OCoLC)852899309
040 ▼a N$T ▼c N$T ▼d IDEBK ▼d E7B ▼d 248032
049 ▼a K4RA
050 4 ▼a PN1995.9.R3 ▼b P66 2013eb
072 7 ▼a ART ▼x 057000 ▼2 bisacsh
072 7 ▼a PER ▼x 004040 ▼2 bisacsh
08204 ▼a 791.43/612 ▼2 23
1001 ▼a Pomerance, Murray, ▼d 1946-
24514 ▼a The eyes have it ▼h [electronic resource] : ▼b cinema and the reality effect / ▼c Murray Pomerance.
260 ▼a New Brunswick, N.J. : ▼b Rutgers University Press, ▼c c2013.
300 ▼a 1 online resource (xii, 268 p.) : ▼b ill.
4901 ▼a Techniques of the moving image
504 ▼a Includes bibliographical references (p. 223-249) and index.
5050 ▼a Prelude: corn -- 1. Vivid rivals -- 2. The two of us -- 3. Being there -- 4. A fairy tale.
520 ▼a "The Eyes Have It explores those rarified screen moments when viewers are confronted by sights that seem at once impossible and present, artificial and stimulating, illusory and definitive. Beginning with a penetrating study of five cornfield sequences--including The Wizard of Oz, Arizona Dream, and Signs--Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewer's experience of "reality" is put in context, challenged, and willfully engaged. Four meditations deal with "reality effects" from different philosophical and technical angles. "Vivid Rivals" assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma & Louise, and more. "The Two of Us" considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. "Being There" discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm's Way, and other films. "Fairy Land" explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting."--Publisher's website.
588 ▼a Description based on print version record.
650 0 ▼a Realism in motion pictures.
650 7 ▼a ART / Film & Video. ▼2 bisacsh
650 7 ▼a PERFORMING ARTS / Film & Video / Reference. ▼2 bisacsh
655 4 ▼a Electronic books.
77608 ▼i Print version: ▼a Pomerance, Murray, 1946- ▼t Eyes have it. ▼d New Brunswick, N.J. : Rutgers University Press, c2013 ▼z 9780813560595 ▼w (DLC) 2012023499 ▼w (OCoLC)797969813
830 0 ▼a Techniques of the moving image.
85640 ▼3 EBSCOhost ▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=608753
938 ▼a EBSCOhost ▼b EBSC ▼n 608753
938 ▼a Ingram Digital eBook Collection ▼b IDEB ▼n cis25836169
938 ▼a ebrary ▼b EBRY ▼n ebr10733303
990 ▼a 관리자
994 ▼a 92 ▼b K4R