MARC보기
LDR04118cmm uu200673Mu 4500
001000000301918
003OCoLC
00520230519144125
006m o d
007cr |n|
008111205s2012 nju o 000 0 eng d
019 ▼a 783127209 ▼a 785601376
020 ▼a 9781400840458 (electronic bk.)
020 ▼a 1400840457 (electronic bk.)
020 ▼z 0691150761
020 ▼z 9780691150765
0248 ▼a 9786613339843
0291 ▼a AU@ ▼b 000048852507
0291 ▼a NLGGC ▼b 36312960X
035 ▼a (OCoLC)767502420
037 ▼a 333984 ▼b MIL
037 ▼a 22573/cttx007 ▼b JSTOR
040 ▼a EBLCP ▼c EBLCP ▼d MEAUC ▼d E7B ▼d YDXCP ▼d N$T ▼d CDX ▼d OCLCQ ▼d MHA ▼d JSTOR ▼d OCLCF ▼d 248032
049 ▼a K4RA
050 4 ▼a ML3918.P67
072 7 ▼a MUS ▼x 029000 ▼2 bisacsh
072 7 ▼a MUS000000 ▼2 bisacsh
072 7 ▼a SOC026000 ▼2 bisacsh
072 7 ▼a SOC022000 ▼2 bisacsh
08204 ▼a 781.64
1001 ▼a Lena, Jennifer C.
24510 ▼a Banding Together ▼h [electronic resource] : ▼b How Communities Create Genres in Popular Music.
260 ▼a Princeton : ▼b Princeton University Press, ▼c 2012.
300 ▼a 1 online resource (xii, 242 p.)
500 ▼a Description based upon print version of record.
504 ▼a Includes bibliographical references and index.
5050 ▼a Cover; Banding Together; Title; Copyright; Dedication; Contents; Acknowledgments; Chapter 1: Music Genres; What Is a Theory of Sociocultural Classification?; What Are Genre Forms and How Are They Identified?; Organizations and Money; Genre Ideals and Style; What Genres Are Not; Outline of the Book; Chapter 2: Three Musics, Four Genres: Rap, Bluegrass, and Bebop Jazz; Avant-garde Genres; Scene-based Genres; Industry-based Genres; Traditionalist Genres; After the Tradition; Conclusion; Chapter 3: Music Trajectories; Two Genre Trajectories; Scene-based Origins; IST Trajectories
5058 ▼a On Genre TrajectoriesInhibiting Factors on Musical Trajectories; Absorption into Other Musics, Other Streams; Niche Music; The Racist Organization of Musical Production; Conclusion; Chapter 4: The Government-purposed Genre; Attributes of Government-purposed Genres; China; Chile; Nigeria; Serbia; Conclusion; Chapter 5: On Classification Systems; Classification in Music; Toward a Model of Classification Systems; On Science, Markets, and Memory; The Future of Music; In Closing; Notes; References; Index;
520 ▼a Why do some music styles gain mass popularity while others thrive in small niches? Banding Together explores this question and reveals the attributes that together explain the growth of twentieth-century American popular music. Drawing on a vast array of examples from sixty musical styles--ranging from rap and bluegrass to death metal and South Texas polka, and including several created outside the United States--Jennifer Lena uncovers the shared grammar that allows us to understand the cultural language and evolution of popular music. What are the common economic, organizational, ideological,
650 4 ▼a Popular music -- Social aspects.
650 4 ▼a Fine Arts.
650 0 ▼a Popular music ▼x Social aspects.
650 0 ▼a Popular music genres.
650 0 ▼a Popular music.
650 7 ▼a MUSIC / Genres & Styles / Pop Vocal. ▼2 bisacsh
650 7 ▼a MUSIC / General. ▼2 bisacsh
650 7 ▼a Popular music. ▼2 fast ▼0 (OCoLC)fst01071422
650 7 ▼a Popular music genres. ▼2 fast ▼0 (OCoLC)fst01747460
650 7 ▼a Popular music ▼x Social aspects. ▼2 fast ▼0 (OCoLC)fst01071460
655 4 ▼a Electronic books.
77608 ▼i Print version: ▼a Lena, Jennifer C. ▼t Banding Together : How Communities Create Genres in Popular Music ▼d Princeton : Princeton University Press,c2012 ▼z 9780691150765
85640 ▼3 EBSCOhost ▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=408427
938 ▼a EBL - Ebook Library ▼b EBLB ▼n EBL802239
938 ▼a ebrary ▼b EBRY ▼n ebr10514776
938 ▼a YBP Library Services ▼b YANK ▼n 7270344
938 ▼a Coutts Information Services ▼b COUT ▼n 20189500
938 ▼a EBSCOhost ▼b EBSC ▼n 408427
990 ▼a 관리자
994 ▼a 92 ▼b K4R