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LDR05565cmm uu200553Mu 4500
001000000301132
003OCoLC
00520230519142426
006m o d
007cr cnu---unuuu
008130323s2013 ne o 000 0 eng d
020 ▼a 9789027272201 (electronic bk.)
020 ▼a 9027272204 (electronic bk.)
035 ▼a (OCoLC)831120866
040 ▼a EBLCP ▼b eng ▼c EBLCP ▼d OCLCO ▼d YDXCP ▼d N$T ▼d IDEBK ▼d CDX ▼d 248032
049 ▼a K4RA
050 4 ▼a PS374 .S97 S57 2013
072 7 ▼a LIT ▼x 004020 ▼2 bisacsh
08204 ▼a 813.009 ▼a 813.009353
1001 ▼a Sklar, Howard.
24514 ▼a The art of sympathy in fiction ▼h [electronic resource] : ▼b forms of ethical and emotional persuasion / ▼c Howard Sklar.
260 ▼a Amsterdam ; ▼a Philadelphia : ▼b John Benjamins Publishing Company, ▼c 2013.
300 ▼a 1 online resource (206 p.)
4901 ▼a Linguistic approaches to literature
500 ▼a Description based upon print version of record.
500 ▼a 8.1 Empiricism, interdisciplinarity and literary studies: Obstacles and opportunities
5050 ▼a The Art of Sympathy in Fiction; Editorial page; Title page; LCC page; Dedication page; Table of contents; Acknowledgments; Introduction; Part I. Sympathy and narrative: Theoretical assumptions; 1. Believable fictions: On the nature of emotional responses to fictional characters; 1.1 Character and the question of believability; 1.2 Emotional responses to fictional characters; 2. Defining sympathy: Experiential and ethical dimensions; 2.1 Empathy: The chameleon emotion; 2.2 Towards a working definition of sympathy; 2.3 Sympathy: A "moral sentiment"?
5058 ▼a 2.4 Real-life and narrative sympathy: Experiential differences and ethical implications3. Forms of persuasion: Narrative approaches to the construction of reader sympathy; 3.1 Narrative empathy or sympathy? The role of aesthetic distance; 3.2 The poetics of narrative sympathy; Part II. Literary critical and empirical case studies; 4.1 The clothes make the man: Fantastic empathy and realistic sympathy in Roth's "Eli, the Fanatic"; 4. Varieties of narrative sympathy: Two preliminary case studies; 4.1.1 Challenging realistic conventions
5058 ▼a 4.1.2 Naturalizing a strange reality: Stereotyping as a strategy for creating verisimilitude4.1.3 Defamiliarizing readers' perceptions; 4.1.4 Fantastic empathy and realistic sympathy; 4.1.5 Reevaluating "reality"; 4.2 Sympathy as self-discovery: The significance of caring for others in Ursula K. Le Guin's "Betray; 4.2.1 Lost in the marshlands: Cognitive estrangement and the cultivation of empathy; 4.2.2 Abberkam as Other: "Emotional estrangement" and reader judgment; 4.2.3 The rehabilitation of Abberkam: Revised judgment and the beginnings of sympathy
5058 ▼a 4.2.4 The restoration of Self: Sympathetic caring comes full-circle5. Shades of sympathy: The limits and possibilities of identification in Bambara's "The Hammer Man"; 5.1 Structure and response: Some theoretical approaches to reader emotions; 5.2 Surprised by sympathy: The effects of delayed exposition; 5.3 Empirical approaches to "The Hammer Man"; 5.3.1 Defining sympathy: A brief review; 5.3.2 Methods and subjects; 5.3.3 Results; 5.3.4 General discussion of the test results; 6. Sympathetic "grotesque": The dynamics of feeling in Sherwood Anderson's "Hands"
5058 ▼a 6.1 The making of a sympathetic "grotesque"6.2 The Dynamics of feeling in "Hands"; 6.3 The Reader Emotions Test (RET) for "Hands"; 6.3.1 Methods and subjects; 6.3.2 Results for Test A; 6.3.3 Results for Test B; 6.3.4 General discussion; Part III. Sympathy in the classroom; 7. Narrative as experience: The pedagogical implications of sympathizing with fictional characters; 7.1 The End of innocence? Adolescent development and narrative fiction; 7.2 Making sense of sympathy: Pedagogical approaches to understanding narrative experiences; 7.3 Concluding remarks on student engagement
520 ▼a By taking an interdisciplinary approach - with methods drawn from narratology, aesthetics, social psychology, education, and the empirical study of literature - The Art of Sympathy in Fiction will interest scholars in a variety of fields. Its focus is the sympathetic effects of stories, and the possible ways these feelings can contribute to what has been called the "moral imagination." Part I examines the dynamics of readers' beliefs regarding fictional characters and the influence of those impressions on the emotions that readers experience. The book then turns its attention to sympath.
650 0 ▼a American fiction ▼x History and criticism.
650 0 ▼a Sympathy in literature.
650 0 ▼a Literature and morals.
650 0 ▼a Books and reading.
650 4 ▼a American fiction -- History and criticism.
650 7 ▼a LITERARY CRITICISM / American / General. ▼2 bisacsh
655 4 ▼a Electronic books.
77608 ▼i Print version: ▼a Sklar, Howard ▼t The Art of Sympathy in Fiction : Forms of Ethical and Emotional Persuasion ▼d Amsterdam/Philadelphia : John Benjamins Publishing Company,c2013 ▼z 9789027233509
830 0 ▼a Linguistic approaches to literature.
85640 ▼3 EBSCOhost ▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=547591
938 ▼a EBL - Ebook Library ▼b EBLB ▼n EBL1135384
938 ▼a YBP Library Services ▼b YANK ▼n 10253161
938 ▼a EBSCOhost ▼b EBSC ▼n 547591
938 ▼a Ingram Digital eBook Collection ▼b IDEB ▼n cis24876676
938 ▼a Coutts Information Services ▼b COUT ▼n 24876676
990 ▼a 관리자
994 ▼a 92 ▼b K4R