LDR | | 05565cmm uu200553Mu 4500 |
001 | | 000000301132 |
003 | | OCoLC |
005 | | 20230519142426 |
006 | | m o d |
007 | | cr cnu---unuuu |
008 | | 130323s2013 ne o 000 0 eng d |
020 | |
▼a 9789027272201 (electronic bk.) |
020 | |
▼a 9027272204 (electronic bk.) |
035 | |
▼a (OCoLC)831120866 |
040 | |
▼a EBLCP
▼b eng
▼c EBLCP
▼d OCLCO
▼d YDXCP
▼d N$T
▼d IDEBK
▼d CDX
▼d 248032 |
049 | |
▼a K4RA |
050 | 4 |
▼a PS374 .S97 S57 2013 |
072 | 7 |
▼a LIT
▼x 004020
▼2 bisacsh |
082 | 04 |
▼a 813.009
▼a 813.009353 |
100 | 1 |
▼a Sklar, Howard. |
245 | 14 |
▼a The art of sympathy in fiction
▼h [electronic resource] :
▼b forms of ethical and emotional persuasion /
▼c Howard Sklar. |
260 | |
▼a Amsterdam ;
▼a Philadelphia :
▼b John Benjamins Publishing Company,
▼c 2013. |
300 | |
▼a 1 online resource (206 p.) |
490 | 1 |
▼a Linguistic approaches to literature |
500 | |
▼a Description based upon print version of record. |
500 | |
▼a 8.1 Empiricism, interdisciplinarity and literary studies: Obstacles and opportunities |
505 | 0 |
▼a The Art of Sympathy in Fiction; Editorial page; Title page; LCC page; Dedication page; Table of contents; Acknowledgments; Introduction; Part I. Sympathy and narrative: Theoretical assumptions; 1. Believable fictions: On the nature of emotional responses to fictional characters; 1.1 Character and the question of believability; 1.2 Emotional responses to fictional characters; 2. Defining sympathy: Experiential and ethical dimensions; 2.1 Empathy: The chameleon emotion; 2.2 Towards a working definition of sympathy; 2.3 Sympathy: A "moral sentiment"? |
505 | 8 |
▼a 2.4 Real-life and narrative sympathy: Experiential differences and ethical implications3. Forms of persuasion: Narrative approaches to the construction of reader sympathy; 3.1 Narrative empathy or sympathy? The role of aesthetic distance; 3.2 The poetics of narrative sympathy; Part II. Literary critical and empirical case studies; 4.1 The clothes make the man: Fantastic empathy and realistic sympathy in Roth's "Eli, the Fanatic"; 4. Varieties of narrative sympathy: Two preliminary case studies; 4.1.1 Challenging realistic conventions |
505 | 8 |
▼a 4.1.2 Naturalizing a strange reality: Stereotyping as a strategy for creating verisimilitude4.1.3 Defamiliarizing readers' perceptions; 4.1.4 Fantastic empathy and realistic sympathy; 4.1.5 Reevaluating "reality"; 4.2 Sympathy as self-discovery: The significance of caring for others in Ursula K. Le Guin's "Betray; 4.2.1 Lost in the marshlands: Cognitive estrangement and the cultivation of empathy; 4.2.2 Abberkam as Other: "Emotional estrangement" and reader judgment; 4.2.3 The rehabilitation of Abberkam: Revised judgment and the beginnings of sympathy |
505 | 8 |
▼a 4.2.4 The restoration of Self: Sympathetic caring comes full-circle5. Shades of sympathy: The limits and possibilities of identification in Bambara's "The Hammer Man"; 5.1 Structure and response: Some theoretical approaches to reader emotions; 5.2 Surprised by sympathy: The effects of delayed exposition; 5.3 Empirical approaches to "The Hammer Man"; 5.3.1 Defining sympathy: A brief review; 5.3.2 Methods and subjects; 5.3.3 Results; 5.3.4 General discussion of the test results; 6. Sympathetic "grotesque": The dynamics of feeling in Sherwood Anderson's "Hands" |
505 | 8 |
▼a 6.1 The making of a sympathetic "grotesque"6.2 The Dynamics of feeling in "Hands"; 6.3 The Reader Emotions Test (RET) for "Hands"; 6.3.1 Methods and subjects; 6.3.2 Results for Test A; 6.3.3 Results for Test B; 6.3.4 General discussion; Part III. Sympathy in the classroom; 7. Narrative as experience: The pedagogical implications of sympathizing with fictional characters; 7.1 The End of innocence? Adolescent development and narrative fiction; 7.2 Making sense of sympathy: Pedagogical approaches to understanding narrative experiences; 7.3 Concluding remarks on student engagement |
520 | |
▼a By taking an interdisciplinary approach - with methods drawn from narratology, aesthetics, social psychology, education, and the empirical study of literature - The Art of Sympathy in Fiction will interest scholars in a variety of fields. Its focus is the sympathetic effects of stories, and the possible ways these feelings can contribute to what has been called the "moral imagination." Part I examines the dynamics of readers' beliefs regarding fictional characters and the influence of those impressions on the emotions that readers experience. The book then turns its attention to sympath. |
650 | 0 |
▼a American fiction
▼x History and criticism. |
650 | 0 |
▼a Sympathy in literature. |
650 | 0 |
▼a Literature and morals. |
650 | 0 |
▼a Books and reading. |
650 | 4 |
▼a American fiction -- History and criticism. |
650 | 7 |
▼a LITERARY CRITICISM / American / General.
▼2 bisacsh |
655 | 4 |
▼a Electronic books. |
776 | 08 |
▼i Print version:
▼a Sklar, Howard
▼t The Art of Sympathy in Fiction : Forms of Ethical and Emotional Persuasion
▼d Amsterdam/Philadelphia : John Benjamins Publishing Company,c2013
▼z 9789027233509 |
830 | 0 |
▼a Linguistic approaches to literature. |
856 | 40 |
▼3 EBSCOhost
▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=547591 |
938 | |
▼a EBL - Ebook Library
▼b EBLB
▼n EBL1135384 |
938 | |
▼a YBP Library Services
▼b YANK
▼n 10253161 |
938 | |
▼a EBSCOhost
▼b EBSC
▼n 547591 |
938 | |
▼a Ingram Digital eBook Collection
▼b IDEB
▼n cis24876676 |
938 | |
▼a Coutts Information Services
▼b COUT
▼n 24876676 |
990 | |
▼a 관리자 |
994 | |
▼a 92
▼b K4R |