| LDR | | 03296cmm uu200541Ka 4500 |
| 001 | | 000000300869 |
| 003 | | OCoLC |
| 005 | | 20230519141849 |
| 006 | | m o d |
| 007 | | cr cnu---unuuu |
| 008 | | 130401s2013 inu ob 001 0 eng d |
| 020 | |
▼a 9780253007575 (electronic bk.) |
| 020 | |
▼a 0253007577 (electronic bk.) |
| 020 | |
▼z 9780253007445 |
| 020 | |
▼z 0253007445 |
| 020 | |
▼z 9780253007513 |
| 020 | |
▼z 0253007518 |
| 029 | 1 |
▼a NZ1
▼b 14936429 |
| 035 | |
▼a (OCoLC)834129217 |
| 040 | |
▼a N$T
▼c N$T
▼d YDXCP
▼d ORZ
▼d CDX
▼d IDEBK
▼d MHW
▼d E7B
▼d 248032 |
| 043 | |
▼a f------ |
| 049 | |
▼a K4RA |
| 050 | 4 |
▼a PN1993.5.A35
▼b H375 2013eb |
| 072 | 7 |
▼a ART
▼x 057000
▼2 bisacsh |
| 072 | 7 |
▼a PER
▼x 004040
▼2 bisacsh |
| 082 | 04 |
▼a 791.43096
▼2 23 |
| 100 | 1 |
▼a Harrow, Kenneth W. |
| 245 | 10 |
▼a Trash
▼h [electronic resource] :
▼b African cinema from below /
▼c Kenneth W. Harrow. |
| 260 | |
▼a Bloomington :
▼b Indiana University Press,
▼c 2013. |
| 300 | |
▼a 1 online resource. |
| 504 | |
▼a Includes bibliographical references and index. |
| 505 | 0 |
▼a Bataille, Stam, and locations of trash -- Rancie?re: aesthetics, its me?sententes and discontents -- The out-of-place scene of trash -- Globalization's dumping ground: the case of Trafigura -- Agency and the mosquito: Mitchell and Chakrabarty -- Trashy women: Karmen Gei, L'Oiseau Rebelle -- Trashy women, fallen men: Fanta Nacro's "Puk Nini" and La nuit de la ve?rite? -- Opening the distribution of the sensible: Kimberly Rivers and Trouble the water -- Abderrahmane Sissako's Bamako and the image: trash in its materiality -- The counter-archive for a new postcolonial order: O Hero?i and Daratt -- Nollywood and its masks: Fela, Osuofia in London, and Butler's Assujetissement -- Trash's last leaves: Nollywood, Nollywood, Nollywood. |
| 520 | |
▼a Highlighting what is melodramatic, flashy, low, and gritty in the characters, images, and plots of African cinema, Kenneth W. Harrow uses trash as the unlikely metaphor to show how these films have depicted the globalized world. Rather than focusing on topics such as national liberation and postcolonialism, he employs the disruptive notion of trash to propose a destabilizing aesthetics of African cinema. Harrow argues that the spread of commodity capitalism has bred a culture of materiality and waste that now pervades African film. He posits that a view from below permits a way to understan |
| 588 | |
▼a Description based on print version record. |
| 650 | 0 |
▼a Refuse and refuse disposal in motion pictures. |
| 650 | 0 |
▼a Motion pictures
▼z Africa. |
| 650 | 7 |
▼a ART / Film & Video.
▼2 bisacsh |
| 650 | 7 |
▼a PERFORMING ARTS / Film & Video / Reference.
▼2 bisacsh |
| 655 | 4 |
▼a Electronic books. |
| 776 | 08 |
▼i Print version:
▼a Harrow, Kenneth W.
▼t Trash.
▼d Bloomington : Indiana University Press, 2013
▼z 9780253007445
▼w (DLC) 2012037383
▼w (OCoLC)810039784 |
| 856 | 40 |
▼3 EBSCOhost
▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=548091 |
| 938 | |
▼a EBSCOhost
▼b EBSC
▼n 548091 |
| 938 | |
▼a YBP Library Services
▼b YANK
▼n 9732600 |
| 938 | |
▼a Coutts Information Services
▼b COUT
▼n 24879123 |
| 938 | |
▼a Ingram Digital eBook Collection
▼b IDEB
▼n cis24879123 |
| 938 | |
▼a ebrary
▼b EBRY
▼n ebr10666278 |
| 990 | |
▼a 관리자 |
| 994 | |
▼a 92
▼b K4R |