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LDR03780cmm uu200445Mu 4500
001000000300446
003OCoLC
00520230519140954
006m o d
007cr cnu---unuuu
008130211s2013 enk o 000 0 eng d
020 ▼a 9781441124081 (electronic bk.)
020 ▼a 144112408X (electronic bk.)
035 ▼a (OCoLC)827208829
040 ▼a EBLCP ▼b eng ▼c EBLCP ▼d N$T ▼d YDXCP ▼d 248032
049 ▼a K4RA
050 4 ▼a ML3877 .P75 2013
072 7 ▼a MUS ▼x 001000 ▼2 bisacsh
08204 ▼a 780.9/04 ▼a 780.904 ▼a 781.17
1001 ▼a Priest, eldritch.
24510 ▼a Boring Formless Nonsense ▼h [electronic resource] : ▼b Experimental Music and the Aesthetics of Failure.
260 ▼a London : ▼b Bloomsbury Publishing, ▼c 2013.
300 ▼a 1 online resource (327 p.)
500 ▼a Description based upon print version of record.
5050 ▼a FC; Half Title; Title; Copyright; Dedication; Contents; Pretext; Introduction; 1 Boring; Introduction; On being bored; A boring history; Cage, Fluxus, and inclusion; Duration; The aesthetics of boredom and the art of waiting; The premises/promises of aesthetic boredom; A less promising boredom; Uglier feelings of the stuplime; Post...death...; Afterthought...; 2 Formless; Pretext; (Informe); How to read this chapter; Story; Becoming formless; Music noise; Recording distraction; -- Multitasking; Capture and escape; Lull ))) ))) ))); Listening to SoS#16's lull ))))); (((((Listening away)))))
5058 ▼a Muzak's way of dreaming ubiquitously )))) -- Notes on muzak; -- Quantum modulation; We don't (((listen))) anymore; The (((sound))) of habits; Artifice and the artificial; ))))) Desire and dissatisfaction; Last))))); Another again; 3 Nonsense; (Voodoo; ((Metareferentiality, metamusic, and hypermusic; (((Gru?pat and pseudonymity; ((((Symptoms, syndromes, and hyperfiction; (((((In a Sedimental Mood; ((((((Hyperstition, magick, and nonsense; (((((((Becoming Karen et al, a Real-Time Hyperstition as of March 30,2007 by Karen Eliot; ((((((((Of lies
5058 ▼a (((((((((What does music feel like? (or, "on the refrain of pain andimagining"): Discursive remainders from glossolalia (stress positions)by Engram Knots((((((((((glossolalia (stress positions); (((((((((((Occult dualism; ((((((((((((Illustrative interlude: Practicing; (((((((((((((The sleep side of music and dream-work; Nonsense II; Inconclusion/This chapter is false; Appendix; Bibliography; Index
520 ▼a Boring Formless Nonsense intervenes in an aesthetics of failure that has largely been delimited by the visual arts and its avant-garde legacies. It focuses on contemporary experimental composition in which failure rubs shoulders with the categories of chance, noise, and obscurity. In these works we hear failure anew. We hear boredom, formlessness, and nonsense in a way that gives new purchase to aesthetic, philosophical, and ethical questions that falter in their negative capability. Reshaping debates on failure as an aesthetic category, eldritch Priest shows failure to be a highly dubious con.
650 4 ▼a Music -- Philosophy and aesthetics.
650 0 ▼a Avant-garde (Music)
650 0 ▼a Music ▼x Philosophy and aesthetics.
650 7 ▼a MUSIC / Instruction & Study / Appreciation. ▼2 bisacsh
655 4 ▼a Electronic books.
77608 ▼i Print version: ▼a Priest, eldritch ▼t Boring Formless Nonsense : Experimental Music and the Aesthetics of Failure ▼d London : Bloomsbury Publishing,c2013 ▼z 9781441122131
85640 ▼3 EBSCOhost ▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=527899
938 ▼a EBL - Ebook Library ▼b EBLB ▼n EBL1115365
938 ▼a EBSCOhost ▼b EBSC ▼n 527899
938 ▼a YBP Library Services ▼b YANK ▼n 9992218
990 ▼a 관리자
994 ▼a 92 ▼b K4R