| LDR | | 03705cmm uu200661Li 4500 |
| 001 | | 000000300157 |
| 003 | | OCoLC |
| 005 | | 20230519140403 |
| 006 | | m o d |
| 007 | | cr |n| |
| 008 | | 130329s2013 cau obq s001 0 eng d |
| 020 | |
▼a 0520954491 (electronic bk.) |
| 020 | |
▼a 9780520954496 (electronic bk.) |
| 020 | |
▼z 9780520275102 (cloth : alk. paper) |
| 020 | |
▼z 0520275101 (cloth : alk. paper) |
| 020 | |
▼z 9780520275126 (pbk. : alk. paper) |
| 020 | |
▼z 0520275128 (pbk. : alk. paper) |
| 035 | |
▼a (OCoLC)833574032 |
| 037 | |
▼a 22573/ctt2f0z7g
▼b JSTOR |
| 040 | |
▼a YDXCP
▼c YDXCP
▼d EBLCP
▼d OCLCO
▼d N$T
▼d MHW
▼d CUS
▼d IDEBK
▼d E7B
▼d CDX
▼d JSTOR
▼d 248032 |
| 049 | |
▼a K4RA |
| 050 | 4 |
▼a PN1995.9.T43
▼b B46 2013 |
| 072 | 7 |
▼a ART
▼x 057000
▼2 bisacsh |
| 072 | 7 |
▼a PER
▼x 004040
▼2 bisacsh |
| 072 | 7 |
▼a PER004000
▼2 bisacsh |
| 082 | 04 |
▼a 791.43/656
▼2 23 |
| 100 | 1 |
▼a Benson-Allott, Caetlin Anne,
▼e author. |
| 245 | 10 |
▼a Killer tapes and shattered screens
▼h [electronic resource] :
▼b video spectatorship from VHS to file sharing /
▼c Caetlin Benson-Allott. |
| 264 | 1 |
▼a Berkeley :
▼b University of California Press,
▼c 2013. |
| 300 | |
▼a 1 online resource (xiii, 297 pages). |
| 336 | |
▼a text
▼2 rdacontent |
| 337 | |
▼a computer
▼2 rdamedia |
| 338 | |
▼a online resource
▼2 rdacarrier |
| 504 | |
▼a Includes bibliographical references and index. |
| 505 | 0 |
▼a Introduction: opening up to home video -- Distributing The dead: George A. Romero and the evolution of the video spectator -- Addressing the "new flesh": videodrome's format war -- Reprotechnophobia: putting an end to analog abjection with the ring -- Going, going, grindhouse: simulacral cinematicity and post-cinematic spectatorship -- Paranormal spectatorship: faux footage horror and the P2P spectator -- Conclusion: power play. |
| 520 | |
▼a Since the mid-1980s, US audiences have watched the majority of movies they see on a video platform, be it VHS, DVD, Blu-ray, Video On Demand, or streaming media. Annual video revenues have exceeded box office returns for over twenty-five years. In short, video has become the structuring discourse of US movie culture. Killer Tapes and Shattered Screens examines how prerecorded video reframes the premises and promises of motion picture spectatorship. But instead of offering a history of video technology or reception, Caetlin Benson-Allott analyzes how the movies themselves understand and |
| 588 | |
▼a Description based on print version record. |
| 650 | 0 |
▼a Technology in motion pictures. |
| 650 | 0 |
▼a Cinematography
▼x Technological innovations. |
| 650 | 0 |
▼a Horror films
▼x History and criticism. |
| 650 | 0 |
▼a Motion picture audiences. |
| 650 | 0 |
▼a Video recordings
▼x Production and direction
▼x Data processing. |
| 650 | 0 |
▼a Digital video
▼x Production and direction
▼x Data processing. |
| 650 | 0 |
▼a Video recordings industry. |
| 650 | 7 |
▼a ART / Film & Video.
▼2 bisacsh |
| 650 | 7 |
▼a PERFORMING ARTS / Film & Video / Reference.
▼2 bisacsh |
| 650 | 7 |
▼a PERFORMING ARTS / Film & Video / General.
▼2 bisacsh |
| 655 | 4 |
▼a Electronic books. |
| 776 | 08 |
▼i Print version:
▼a Benson-Allott, Caetlin Anne.
▼t Killer tapes and shattered screens
▼z 9780520275102
▼w (DLC) 2012038612
▼w (OCoLC)818734523 |
| 856 | 40 |
▼3 EBSCOhost
▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=562938 |
| 938 | |
▼a YBP Library Services
▼b YANK
▼n 10367935 |
| 938 | |
▼a EBL - Ebook Library
▼b EBLB
▼n EBL1157661 |
| 938 | |
▼a EBSCOhost
▼b EBSC
▼n 562938 |
| 938 | |
▼a Ingram Digital eBook Collection
▼b IDEB
▼n cis25212638 |
| 938 | |
▼a Coutts Information Services
▼b COUT
▼n 25212638 |
| 938 | |
▼a ebrary
▼b EBRY
▼n ebr10681975 |
| 990 | |
▼a 관리자 |
| 994 | |
▼a 92
▼b K4R |