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The representation of Japanese politics in Manga : the visual literacy of statecraft /
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| 자료유형 | E-Book |
|---|---|
| 개인저자 | Rosenbaum, Roman, editor. |
| 서명/저자사항 | The representation of Japanese politics in Manga :the visual literacy of statecraft /edited by Roman Rosenbaum. |
| 판사항 | 1. |
| 형태사항 | 1 online resource (xv, 282 pages) : illustrations |
| 총서사항 | Routledge/Asian studies association of Australia (ASAA) East Asia series |
| 소장본 주기 | WorldCat record variable field(s) change: 650 |
| ISBN | 9781003007180 100300718X 9781000217292 1000217299 9781000217452 1000217450 9781000217377 100021737X |
| 기타표준부호 | 10.4324/9781003007180doi |
| 서지주기 | Includes bibliographical references and index. |
| 내용주기 | Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Table of Contents -- List of figures -- Notes on contributors -- Foreword -- Acknowledgements -- Chapter 1: Introduction: the political potential of manga -- Manga and politics -- the visual literacy of statecraft -- Prolegomenon: are manga political? From the political cartoons to the politics of graphic art -- Educational versus political manga -- A brief history of politics in Japanese manga -- From local to global cartoon controversies: a brief dialectic Japan's own cartoon affair: Toshiko Hasumi and the Syrian refugee affair -- Manga as overt political artefact -- Conclusion -- Chapter overview -- Notes -- References -- Chapter 2: Re-envisioning the Dark Valley and the decline of the peace state -- Introduction -- Media and memory -- Fan discussions on the intersection of pop culture and politics -- The Asia-Pacific War era in manga -- February 26th in fantasy manga -- Fantasy Februaries and the narrative allure of conspiracy and coups d'e?tat -- Potential policy implications -- Conclusion -- Notes -- References Chapter 3: Kobayashi Yoshinori's just war and unjust peace: Senso? ron, arrogant-ismand selective memory -- Introduction -- Purity, righteousness, and beauty in Kobayashi's-and Japan's-just war -- The just war's unjust peace and resulting societal breakdown -- Kobayashi's prescription: go?manism (aka: arrogant-ism) -- Conclusion: Kobayashi's fugue state and Shinmin no michi (the path of the subject) -- Notes -- References -- Chapter 4: Sexual politics in manga: Pan-Pan Girls confronting the US occupation, Vietnam War and Japan's Article 9 revision -- Introduction Pan-Pan Girls contesting the "workshop of democracy" -- Pan-Pan Girls advocating anti-Anpo and anti-Vietnam views -- Pan-Pan Girls sneering at the Article 9 revision -- Conclusion -- Notes -- References -- Chapter 5: NEETs versus nuns: visualizing the moral panic of Japanese conservatives -- Introduction -- Christianity and the historical politics of alterity -- Overcoming Christianity in Sho?nen media -- Redeeming Christianity in Josei Manga -- Outgrowing Christianity in Indie Manga -- Conclusion -- Notes -- References -- Chapter 6: The body political: women and war in Kantai Collection Introduction -- Gameplay and ideology in Kantai Collection -- Militarising the female body -- Roles of women in Kantai Collection -- Sexual objects and 'changing fate': anime and manga adaptations -- KanColle and right-wing rhetoric -- Conclusions -- Notes -- References -- Chapter 7: Towards an unrestrained military: manga narratives of the self-defenceforces -- Introduction -- Historical background -- The self-defence forces and popular culture -- Aozakura: the story of the National Defense Academy -- Gate: Thus the Japan Self-Defense Forces Fought There -- Conclusion -- Notes -- References |
| 요약 | "This edited volume explores political motives, discourses and agendas in Japanese manga and graphic art with the objective of highlighting the agency of Japanese and wider Asian story-telling traditions within the context of global political traditions. Highly illustrated chapters presented here investigate the multifaceted relationship between Japan's political storytelling practices, media and bureaucratic discourse, as played out between both the visual arts and modern pop-cultural authors. From pioneering cartoonist Tezuka Osamu, contemporary manga artists such as Kotobuki Shiriagari and Fumiyo Ko?no, to videogames and everyday merchandise, a wealth of source material is analysed using cross-genre techniques. Furthermore, the book resists claims that manga, unlike the bandes dessine?es and American superhero comic traditions, is apolitical. On the contrary, contributors demonstrate that manga and the mediality of graphic arts have begun to actively incorporate political discourses, undermining hegemonic cultural constructs that support either the status quo, or emerging brands of neonationalism in Japanese society. The Representation of Politics in Manga will be a dynamic resource for students and scholars of Japanese studies, media and popular cultural studies, as well as practitioners in the graphic arts"- |
| 일반주제명 | Comic books, strips, etc. -- Japan -- History and criticism. Comic books, strips, etc. -- Japan -- Themes, motives. Politics and literature -- Japan. Literature and society -- Japan. Art -- Political aspects -- Japan. Bandes dessine?es -- Japon -- The?mes, motifs. Politique et litte?rature -- Japon. Litte?rature et socie?te? -- Japon. Art -- Aspect politique -- Japon. COMICS & GRAPHIC NOVELS -- Graphic Novels -- Manga. POLITICAL SCIENCE -- General. Art -- Political aspects. Comic books, strips, etc. Comic books, strips, etc. -- Themes, motives. Literature and society. Politics and literature. |
| 주제명(지명) | Japan. -- fast |
| 언어 | 영어 |
| 기타형태 저록 | Print version:97803674399650367439964 |
| 대출바로가기 | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2621876 |
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| 1 | WE00022554 | 741.5/952 | 가야대학교/전자책서버(컴퓨터서버)/ | 대출가능 |
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