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Aardman animations : beyond stop-motion / [electronic resource]
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| 자료유형 | E-Book |
|---|---|
| 개인저자 | Honess Roe, Annabelle, editor. |
| 서명/저자사항 | Aardman animations :beyond stop-motion /edited by Annabelle Honess Roe.[electronic resource] |
| 형태사항 | 1 online resource : illustrations (black and white) |
| 소장본 주기 | Master record variable field(s) change: 050 |
| ISBN | 9781350130319 1350130311 9781350130296 135013029X 9781350130302 1350130303 |
| 기타표준부호 | 10.5040/9781350130319doi |
| 서지주기 | Includes bibliographical references and index. |
| 내용주기 | Introduction: Understanding Aardman Annabelle Honess Roe -- Identity and Brand -- 1. 'All you do is call me, I'll be anything you need' Aardman Animations, Music Videos and Commercials Malcolm Cook -- 2. Music, Sound and Northernness in the Wallace and Gromit Films Joseph Darlington -- 3. Yahoo! My last moment has come': Peter Lord and the Literacy of Wit and Nostalgia Paul Wells -- 4. From Europe to Hollywood and Back Again: Aardman and its Studio Partners Christopher Meir -- Cultural Contexts -- 5. Aardman's Early Shorts and the British Social Realist Tradition Fatemeh Hosseini-Shakib -- 6. A Darker Heartland: Otherness, Dysfunction and the Uncanny in Aardman's Short films Jane Batkin -- 7. Washed Up: Animating Literary Corpses in The Pearce Sisters Nicholas Andrew Miller -- 8. Wallace and Gromit and the British Fantasy Tradition -- Alexander Sergeant -- Process and Production -- 9. Animation Storyboarding as Part of the Pre-Production Process: An Aardman Case Study Paul Ward -- 10. Life's a Treat: Shaun, Timmy, Aardman and Children's Television Linda Simensky -- 11. Shaun the Sheep -- Buster Keaton Reborn? Richard Haynes -- Surface and Performance -- 12. Aardman's Neo-Baroque: The Dual Nature of Special Effects in Aardman's Feature Film Production Thomas Walsh -- 13. Performing Authenticity through Clay in the Wallace and Gromit Films Laura Ivins -- 14. Between Plasticine and Pixel: Aardman's Digital Handprint Christopher Holliday -- 15. Aardman! In an Entanglement with CGI! Aylish Wood. |
| 요약 | The Bristol-based animation company Aardman is best known for its most famous creations Wallace and Gromit and Shaun the Sheep. But despite the quintessentially British aesthetic and tone of its movies, this very British studio continues to enjoy international box office success with movies such as Shaun the Sheep Movie, Flushed Away and Wallace and Gromit: Curse of the Were-Rabbit. Aardman has always been closely linked with one of its key animators, Nick Park, and its stop motion, Plasticine-modelled family films, but it has more recently begun to experiment with modern digital filmmaking effects that either emulate 'Claymation' methods or form a hybrid animation style. This unique volume brings together leading film and animation scholars with children's media/animation professionals to explore the production practices behind Aardman's creativity, its history from its early shorts to contemporary hits, how its films fit within traditions of British animation, social realism and fantasy cinema, the key personalities who have formed its ethos, its representations of 'British-ness' on screen and the implications of traditional animation methods in a digital era. |
| 주제명(단체명) | Aardman Animations (Firm) Aardman Animations (Firm) -- fast -- |
| 일반주제명 | Animated films -- Great Britain -- History and criticism. Animated television programs -- Great Britain -- History and criticism. Film theory & criticism. Animated films. Animated television programs. |
| 주제명(지명) | Great Britain. -- fast |
| 언어 | 영어 |
| 대출바로가기 | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2348805 |
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