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The image in early cinema : form and material /
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| 자료유형 | E-Book |
|---|---|
| 개인저자 | Curtis, Scott, editor. Gauthier, Philippe, 1980-, editor. Gunning, Tom, 1949-, editor. Yumibe, Joshua, 1974-, editor. |
| 서명/저자사항 | The image in early cinema :form and material /edited by Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe. |
| 발행사항 | Bloomington, Indiana : Indiana University Press, [2018] |
| 형태사항 | 1 online resource (vii, 332 pages). |
| 총서사항 | Early Cinema in Review Ser. |
| 소장본 주기 | Added to collection customer.56279.3 |
| ISBN | 9780253034427 0253034426 9780253034403 025303440X |
| 서지주기 | Includes bibliographical references and indexes. |
| 내용주기 | Cover; Half title; Series Page; Title; Copyright; Contents; Introduction / Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe; Part I: Form; 1 La part picturale du tableau-style / Valentine Robert; 2 The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions / Daniel Wiegand; 3 The Vision Scene: Revelation and Remediation / Frank Gray; 4 Animating Antiquity / Laura Horak; 5 Caricature et films comiques a? la Belle E?poque: quand le dessin de presse rencontre le cine?ma / Je?re?my Houille?re 6 De la presse illustre?e a? l'actualite? filme?e (1894-1910): l'e?mergence d'une nouvelle 짬 culture visuelle de l'information 쨩? / Rodolphe Gahe?ry7 From Pathe? to Paramount: Visual Design in Movie Advertising to 1915 / Richard Abel; 8 Landscape Topoi: From the Mountains to the Sea / Jennifer Peterson; 9 A View Aesthetic without a View? Space and Place in Early Norwegian Polar Expedition Films / Gunnar Iversen; Part II: Material; 10 Between Recognition and Abstraction: Early Vocational Training Films / Florian Hoof 11 Ruptured Perspectives: The "View," Early Special Effects, and Film History / Leslie DeLassus12 Surface and Color: Stenciling in Applied Arts, Fashion Illustration, and Cinema / Jelena Rakin; 13 The Color Image / Joshua Yumibe; Part III: Networks; 14 Shared Affinities and "Kunstwollen": Stylistics of the Cinematic Image in the 1910s and Art Theory at the Turn of the Century in Germany / Jo?rg Schweinitz; 15 Techniques in Circulation: Sovereignty, Imaging Technology, and Art Education in Qajar Iran / Kaveh Askari 16 Corporeality and Female Modernity: Intermediality and Early Film Celebrities / Marina Dahlquist17 A Scientific Instrument? Animated Photography among Other New Imaging Techniques / Ian Christie; 18 Advertising with Moving Pictures: International Harvester's The Romance of the Reaper (1910-1913) / Gregory A. Waller; 19 The City View(ed): Muybridge's Panoramas of San Francisco and Their Afterlives in Early Cinema / Dimitrios Latsis; 20 California Landscapes: John Divola and the Cine-Geography of Serial Photography / Charles Wolfe; 21 What is a Fake Image? / Frank Kessler and Sabine Lenk 22 The Lantern Image between Stage and Screen / Artemis WillisPart IV: Discourses; 23 Pictorialism and the Picture: Art, Photography, and the "Doctrine of Taste" in the Discourse on Transitional-Era Quality Films / Tom Paulus; 24 Boredom and Visions in Vachel Lindsay's Film Theory / Ryan Pierson; 25 Falling Desperately in Love with the Image on Screen: "The Flictoflicker Girl" (1913) and Cinematic Structures of Fascination / Denis Condon; 26 An "Advertising Punch" in Every Frame: Image-Making in Early Advertising Films / Martin L. Johnson; Appendix: Translations |
| 일반주제명 | Motion pictures -- Philosophy. Motion pictures and the arts. Cinematography. Cinematography. Motion pictures and the arts. Motion pictures -- Philosophy. PERFORMING ARTS / Reference. PERFORMING ARTS / Film & Video / History & Criticism. |
| 언어 | English and French with English translations of French. |
| 기타형태 저록 | Print version:Image in early cinema.Bloomington : Indiana University Press, [2018]9780253034403 |
| 대출바로가기 | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1797094 |
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