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Charlie Parker, composer / [electronic resource]
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| 자료유형 | E-Book |
|---|---|
| 개인저자 | Martin, Henry, 1950-, author. |
| 서명/저자사항 | Charlie Parker, composer /Henry Martin.[electronic resource] |
| 발행사항 | New York, NY : Oxford University Press, [2020] |
| 형태사항 | 1 online resource |
| 소장본 주기 | Master record variable field(s) change: 050 |
| ISBN | 9780190923419 0190923415 9780190923402 0190923407 |
| 서지주기 | Includes bibliographical references and index. |
| 내용주기 | Cover -- Half title -- Charlie Parker, Composer -- Copyright -- Dedication -- Contents -- List of Examples and Tables -- Preface and Acknowledgments -- Introduction: Jazz Composition and Parker as Jazz Composer -- The Jazz Composition -- Improvisations Becoming Jazz Compositions -- Authoritative Recordings -- Creating a Chronological List of Parker Compositions -- Categorizing Parker Compositions -- Prior Studies and Analytical Approaches -- 1. Music Background and Compositional Overview -- Early Experiences and Training in Music -- Early Compositions Roots of Bebop, Hines, Eckstine, and the Partnership with Gillespie -- Mature Compositional Career -- Unrecorded Compositions -- 2. 32-?딟ar Rhythm Changes Compositions -- 5. Red Cross (1944) -- 7. Shaw 'Nuff (1945, co-?땉omposed with Dizzy Gillespie) -- 18. Moose the Mooche (1946) -- 10. Thriving from a Riff (1945) -- 26. Dexterity (1947) -- 55. Passport (1949) -- 3. Other 32-?딟ar AABA Compositions -- 1. Yardbird Suite (1940-??941) -- 16. Alesia (1945) -- 9. Confirmation (1945) -- 67. My Little Suede Shoes (1951) -- 80. Throckmorton the Plumber (1954) -- 84. Tail Feathers (1955?) 4. 32-?딟ar ABAC Compositions -- 17. Ornithology (1945, co-?땉omposed with Benny Harris) -- 22. Donna Lee (1947) -- 36. Quasimodo (1947) -- 51. Cardboard (1949) -- 5. Through-?딠omposed Blues in C -- 21. Relaxin' at Camarillo (1947) -- 24. Cheryl (1947) -- 27. Bongo Bop (1947) -- 38. Bongo Beep (1947) -- 47. Perhaps (1948) -- 52. Visa (1949) -- 54. Passport (1949) -- 72. Back Home Blues (1951) -- 75. Cosmic Rays (1952) -- 77. Dum Dum (1954) -- 82. Bongo Bird (1955?) -- 6. Through-?딠omposed Blues in Other Keys -- 2. Wichita Blues (1940, co-?땉omposed with Jay McShann?) -- 29. The Hymn (1947) 31. Bird Feathers (1947) -- 35. Big Foot (1947) -- 57. Bloomdido (1950) -- 59. Mohawk (1950) -- 73. Laird Baird (1952) -- 12. Billie's Bounce (1945) -- 43. Barbados (1948) -- 64. Au Privave (1951) -- 69. Blues for Alice (1951) -- 70. Si Si (1951) -- 78. Half-?딶ass-?딣ass (1954) -- 76. Chi Chi (1953) -- 79. Yashitaki-?딲ikimoko (1954) -- 83. Gerry Bird (1955?) -- 7. 32-?딟ar Compositions with A Section or Partial A Section -- 19. Bird's Nest (1947) -- 23. Chasin' the Bird (1947) -- 44. Ah-?딯eu-?딠ha (1948) -- 28. Dewey Square (1947) -- 32. Klactoveesedstene (1947) -- 33. Scrapple from the Apple (1947) 48. Marmaduke (1948) -- 34. The Bird (1947) -- 37. Charlie's Wig (1947) -- 45. Constellation (1948) -- 49. Steeplechase (1948) -- 53. Segment (1949) -- 58. An Oscar for Treadwell (1950) -- 63. Ballade (1950, co-?땉omposed with Coleman Hawkins) -- 71. Swedish Schnapps (1951) -- 74. Kim (1952) -- 81. Tukki-?딾ukki (1954) -- 8. Riff Blues -- 3. Hootie Blues (1940-??941, co-?땉omposed with Jay McShann) -- 4. The Jumpin' Blues (1941-??942, co-?땉omposed with Jay McShann) -- 13. Now's the Time (1945) -- 20. Cool Blues (1947) -- 25. Buzzy (1947) -- 39. Another Hair Do (1947) -- 40. Bluebird (1947) |
| 요약 | "Charlie Parker, Composer is the first assessment of a major jazz composer's oeuvre in its entirety. Providing analytical discussion of each of Parker's works, this study combines music-theoretical, historical, and philosophical perspectives. A variety of analytical techniques are brought to bear on Parker's compositions, including application of a revised Schenkerian approach to the music that was developed through the author's prior publications. After a review of Parker's life emphasizing his musical training and involvement in composition, the book proceeds by considering the types of Parker pieces as categorized by overall form and harmony and the amount of preplanned music they contain. The historical circumstances of each piece are reviewed, and, in some cases, sources of the ideas of the most important tunes are explored. The introduction includes a discussion of the ontology of a jazz composition. The view is advanced that the Western concept of a music composition needs to be expanded to embrace practices typical of jazz composition and forming a significant part of Parker's work. While focusing on Parker's more conventional tunes, the book also considers his large-scale melodic formulas. Two formulas in particular are arguably compositional, since they are repeated in subsequent performances of the same piece. As part of the research for this book, all of Parker's copyright submissions to the Library of Congress were examined and photographed. The book reproduces the four of them that were copied by Parker himself"-- |
| 주제명(개인명) | Parker, Charlie,1920-1955 -- Criticism and interpretation. Parker, Charlie,1920-1955. -- fast -- |
| 일반주제명 | Jazz -- 1941-1950 -- History and criticism. Jazz -- 1951-1960 -- History and criticism. Jazz. |
| 언어 | 영어 |
| 기타형태 저록 | Print version:Martin, Henry, 1950-Charlie Parker, composerNew York : Oxford University Press, 2020.9780190923389 |
| 대출바로가기 | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2426044 |
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