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Desire in chromatic harmony : a psychodynamic exploration of fin de sie?cle tonality / [electronic resource]
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| 자료유형 | E-Book |
|---|---|
| 개인저자 | Smith, Kenneth M., author. |
| 서명/저자사항 | Desire in chromatic harmony :a psychodynamic exploration of fin de sie?cle tonality /Kenneth M. Smith.[electronic resource] |
| 발행사항 | New York, NY : Oxford University Press, [2020] |
| 형태사항 | 1 online resource (xv, 340 pages) : illustrations. |
| 총서사항 | Oxford studies in music theory |
| 소장본 주기 | Added to collection customer.56279.3 |
| ISBN | 9780190923457 0190923458 019092344X 9780190923440 |
| 서지주기 | Includes bibliographical references and index. |
| 내용주기 | A Linguistic Theory of Chromatic Harmonic Substitution and Progression in the Diatonic Unconscious -- Romantic Provenance -- Transcending Root Motion : Productive Death Drives and Cybernetic Cycles in Charles Ives & Aaron Copland -- Karol Szymanowski's Dominant Drive Model and the Excess of the Cycle -- Tragedy and the Gaze of the Living Dead : Functional Harmonic Rotation in Strauss's Elektra -- The Thanatonic and the Hexatonic : Repetition, Mourning, and "Mother" in Suk's Asrael -- When Octatonic and Hexatonic Collide : Skryabin's Accelerationist Last Piano Sonata -- Epilogue. The Way Forwards (and Backwards) |
| 요약 | "Of the many composers in the Western classical tradition who celebrated the marriage between psyche and sound, those explored in this book followed the lines diverging from Wagner in philosophizing the nature of desire in music. This books offers two new theories of tonal functionality in the music of the first half of the twentieth century that seek to explain its psychological complexities. First, the book further develops Riemann's three diatonic chord functions, extending them to account from chromatic chord progression and substitution. The three functions (Tonic, Subdominant, Dominant) are compared to Jacques Lacan's twin-concepts of metaphor and metonymy which drive the human desiring apparatus. Second, the book develops a technique for analysing the "drives" that pull chromatic music in multiple directions simultaneously, creating a libidinal surface that mirrors the tensions of the psyche found in Schopenhauer, Freud and post-Freudians-Lacan, Lyotard, and Deleuze.The harmonic models are tested in psychologically challenging pieces of music by post-Wagnerian composers. From the obsession with death and mourning in Josef Suk's Asrael Symphony to an exploration of "perversion" in Richard Strauss's Elektra; from the post-Kantian transcendentalism of Charles Ives' Concord Sonata to the "Accelerationism" of Skryabin's late piano works; from the Sufi mysticism of Szymanowski's Song of the Night to the failed fantasy of the American dream in Aaron Copland's The Tender Land, the book cuts a path through the dense forests of chromatic complexity, and digs deep into the psychological make-up of post-Wagnerian psychodynamic music"-- |
| 일반주제명 | Music -- 20th century -- Analysis, appreciation. Desire in music. Music -- Psychological aspects. Harmony. Desire in music. Harmony. Music -- Psychological aspects. |
| 언어 | 영어 |
| 기타형태 저록 | Print version:Smith, Kenneth M..Desire in chromatic harmonyNew York : Oxford University Press, 2020.9780190923426 |
| 대출바로가기 | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2426038 |
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| No. | 등록번호 | 청구기호 | 소장처 | 도서상태 | 반납예정일 | 예약 | 서비스 | 매체정보 |
|---|---|---|---|---|---|---|---|---|
| 1 | WE00019154 | 781.2/50904 | 가야대학교/전자책서버(컴퓨터서버)/ | 대출가능 |
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