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British musical theatre since 1950 /
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| 자료유형 | E-Book |
|---|---|
| 개인저자 | Gordon, Robert, 1951 November 28-, author. Jubin, Olaf, author. Taylor, Millie, author. |
| 서명/저자사항 | British musical theatre since 1950 /Robert Gordon, Olaf Jubin, Millie Taylor. |
| 형태사항 | 1 online resource. |
| 총서사항 | Critical Companions |
| 소장본 주기 | eBooks on EBSCOhostAll EBSCO eBooks |
| ISBN | 9781472584380 1472584384 9781472584397 (electronic bk.) 1472584392 (electronic bk.) |
| 서지주기 | Includes bibliographical references and index. |
| 내용주기 | Cover page; Halftitle page; Series page; Title page; Copyright page; CONTENTS; LIST OF ILLUSTRATIONS; INTRODUCTION; PART I MUSICALS AND SOCIAL CHANGE; 1.1 BRITISH THEATRE AND SOCIETY AFTER THE SECOND WORLD WAR; 1.2 INNOVATION AND NOSTALGIA: CAMP IN THE POST-WAR BRITISH MUSICAL; Case Study 1: Salad Days; 1.3 ROCK AND ROLL AND THE THEATRE REVOLUTION; 1.4 THE PLAY WITH MUSIC: POLITICAL THEATRE AND WORKING-CLASS CULTURE; Case Study 2: Blood Brothers; 1.5 THE IMPACT OF OLIVER!; 1.6 AFTER JESUS CHRIST SUPERSTAR : GLOBALIZATION AND CULTURAL SPECIFICITY; Case Study 3: Billy Elliot. 1.7 GLOBAL AND LOCAL: THE FAMILY MUSICALCase Study 4: Matilda -- The Musical; PART II BRITISH POPULAR CULTURE AND MUSICAL THEATRE; 2.1 NOSTALGIA IN CHARACTER AND DRAMATIC FORM; Case Study 5: Oh What a Lovely War!; 2.2 REFLECTING MULTICULTURALISM49; Case Study 6: Bombay Dreams; 2.3 CHANGING SIGNIFICATION IN POPULAR MUSIC; Case Study 7: Oliver!; Case Study 8: The Rocky Horror Show; Conclusion to Part Two; PART III NARRATIVE AND STORY-TELLING IN THE BRITISH MUSICAL SINCE 1970; Preamble; Introduction; 3.1 CONCEPT RECORDINGS: WHEN WHAT YOU SEE ISWHAT YOU HAVE HEARD. Case Study 9: Jesus Christ Superstar3.2 SUNG-THROUGH SHOWS: WHEN THE SPOKEN WORD IS SHUNNED; 3.3 STAGE ADAPTATIONS OF NOVELS: WHEN THE WRITTEN WORD BECOMES THEATRICAL ACTION; Case Study 10: Les Mise?rables; Case Study 11: The Phantom of the Opera; 3.4 ORIGINAL STORIES: WHEN THE CONTENTIS UNKNOWN; 3.5 JUKEBOX MUSICALS: WHEN YOU KNOWALL THE SONGS; Case Study 12: Mamma Mia!; 3.6 STAGE ADAPTATION OF FILMS: WHEN THE CINEMATIC BECOMES THE THEATRICAL; CONCLUSION; TIMELINE; NOTES; SELECTIVE BIBLIOGRAPHY; DISCOGRAPHY; FILMOGRAPHY; INDEX. |
| 요약 | This critical introduction to British musical theatre since 1950 is the first book to discuss its post-war developments from the perspective of British - as opposed to American - popular culture. The genre is situated within the historical context of post-war British society in order to explore the range of forms through which significant sociocultural moments are represented. Introductory chapters analyse the way British musicals have responded to social change, the forms of popular theatre and music from which they have developed and their originality in elaborating new narrative strategies since the seventies. A key feature of the book is its close readings of twelve key works, from Salad Days (1954) and Oliver! (1960) to global smash hits such as Les Miserables (1985) and The Phantom of the Opera (1986) and beyond, including the latest critical and box-office success Matilda (2011). Also analysed are British favourites (Blood Brothers, 1983), cult shows (The Rocky Horror Show, 1975) and musicals with a pre-existing fan-base, such as Mamma Mia! (1999). |
| 일반주제명 | Musicals -- Great Britain -- History and criticism. Musical theater -- Great Britain -- History -- 20th century. MUSIC / Instruction & Study / Voice MUSIC / Lyrics MUSIC / Printed Music / Vocal Musical theater. Musicals. |
| 주제명(지명) | Great Britain. -- fast |
| 언어 | 영어 |
| 기타형태 저록 | Original14725843769781472584373 |
| 대출바로가기 | http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1237824 |
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|---|---|---|---|---|---|---|---|---|
| 1 | WE00009478 | 782.1/40941 | 가야대학교/전자책서버(컴퓨터서버)/ | 대출가능 |
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