| LDR | | 02948cmm u2200445Ki 4500 |
| 001 | | 000000321140 |
| 005 | | 20230613110138 |
| 006 | | m d |
| 007 | | cr cnu|||unuuu |
| 008 | | 190502s2019 mau o 000 0 eng d |
| 020 | |
▼a 9780262354950
▼q (electronic bk.) |
| 020 | |
▼a 0262354950
▼q (electronic bk.) |
| 020 | |
▼z 9780262042925 |
| 035 | |
▼a 2247471
▼b (N$T) |
| 037 | |
▼a 12079
▼b MIT Press |
| 037 | |
▼a 9780262354950
▼b MIT Press |
| 040 | |
▼a MITPR
▼b eng
▼e rda
▼e pn
▼c MITPR
▼d OCLCF
▼d EBLCP
▼d MZA
▼d OCLCQ
▼d N$T
▼d 248032 |
| 050 | 4 |
▼a N7433.3
▼b .R69 2019eb |
| 082 | 04 |
▼a 709.04/082
▼2 23 |
| 100 | 1 |
▼a Royston, Anne M.,
▼e author. |
| 245 | 10 |
▼a Material noise :
▼b reading theory as artist's book /
▼c Anne M. Royston.
▼h [electronic resource] |
| 260 | |
▼a Cambridge :
▼b MIT Press,
▼c 2019. |
| 300 | |
▼a 1 online resource (224 pages) |
| 336 | |
▼a text
▼b txt
▼2 rdacontent |
| 337 | |
▼a computer
▼b c
▼2 rdamedia |
| 338 | |
▼a online resource
▼b cr
▼2 rdacarrier |
| 505 | 0 |
▼a Intro; Contents; Acknowledgments; Introduction: Between Theory and Art(ist's Book); Situating a Book Studies Project: Artists' Books Studies; The Book as Technology, or, Books and Screens; A Shape for Artistic Argument; The Book, Material Instrument; Material Forms, Material Formlessness; 1. In Pursuit of Nonknowledge in the Encyclopedia Da Costa; Bivalve: Ace?phale; Bivalve: Anonymat; 2. Networks and Remains on the Page in Jacques Derrida's Glas; A Spiderweb of Signs; Columns and Between Columns; A Networked Glas; The Book('s) Remains Activated |
| 505 | 8 |
▼a 3. De-Black-Boxing Media: The Technological Feminine in Avital Ronell's The Telephone BookToward a Construction of the Black Box; An Illegible Feminine; De-Black-Boxing Communication and Media; 4. Mark C. Taylor and Shelley Jackson's Texts of Skin; Hiding on the Skin; From Text to Hypertext; Skin and the Entropy of Material; Conclusion: The Noise in the Machine; Stochastic Poetics's Stutter and Noise; Ghosts in the Archive in Tom Tit Tot; The Quantum Mechanics of Stochastic Poetics; Production as Poetics; The N-Dimensionality of Form; Notes; Introduction; Chapter 1; Chapter 2; Chapter 3 |
| 505 | 8 |
▼a Chapter 4Conclusion; Bibliography; Index |
| 520 | |
▼a An argument that theoretical works can signify through their materiality--their ""noise, "" or such nonsemantic elements as typography--as well as their semantic content. |
| 588 | 0 |
▼a Print version record. |
| 650 | 0 |
▼a Artists' books. |
| 650 | 0 |
▼a Art and philosophy. |
| 650 | 7 |
▼a Art and philosophy.
▼2 fast
▼0 (OCoLC)fst00815419 |
| 650 | 7 |
▼a Artists' books.
▼2 fast
▼0 (OCoLC)fst00817660 |
| 655 | 4 |
▼a Electronic books. |
| 776 | 08 |
▼i Print version:
▼a Royston, Anne M.
▼t Material noise
▼z 9780262042925
▼w (DLC) 2018059567
▼w (OCoLC)1080554563 |
| 856 | 40 |
▼3 EBSCOhost
▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2247471 |
| 938 | |
▼a ProQuest Ebook Central
▼b EBLB
▼n EBL5894153 |
| 938 | |
▼a EBSCOhost
▼b EBSC
▼n 2247471 |
| 990 | |
▼a 관리자 |