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LDR04202cmm u2200673 i 4500
001000000320604
003OCoLC
00520230613104946
006m d | |
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008200604s2021 nyua ob 001 0 eng
010 ▼a 2020025844
020 ▼a 9780190068684 ▼q electronic book
020 ▼a 019006868X ▼q electronic book
020 ▼a 0190068671 ▼q electronic book
020 ▼a 9780190068660 ▼q electronic book
020 ▼a 0190068663 ▼q electronic book
020 ▼a 9780190068677 ▼q (electronic bk.)
020 ▼z 9780190068653 ▼q hardcover
035 ▼a 2723239 ▼b (N$T)
035 ▼a (OCoLC)1161997745
040 ▼a DLC ▼b eng ▼e rda ▼c DLC ▼d OCLCO ▼d YDX ▼d OCLCF ▼d EBLCP ▼d YDX ▼d N$T ▼d 248032
042 ▼a pcc
049 ▼a MAIN
05000 ▼a ML26 ▼b .B384 2021
08200 ▼a 780.78/7471 ▼2 23
1001 ▼a Robin, William, ▼e author.
24510 ▼a Industry : ▼b Bang on a Can and new music in the marketplace / ▼c William Robin. ▼h [electronic resource]
260 ▼a New York, NY : ▼b Oxford University Press, ▼c [2021]
300 ▼a 1 online resource (x, 302 pages) : ▼b illustrations
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b n ▼2 rdamedia
338 ▼a online resource ▼b nc ▼2 rdacarrier
504 ▼a Includes bibliographical references and index.
5050 ▼a Academics -- Horizons -- Festivals -- Funding -- All-Stars -- Lincoln Center -- Record labels.
520 ▼a "Amidst the heated fray of the Culture Wars emerged a scrappy festival in downtown New York City called Bang on a Can. Presenting eclectic, irreverent marathons of experimental music in crumbling venues on the Lower East Side, Bang on a Can sold out concerts for a genre that had been long considered box office poison. Through the 1980s and 1990s, three young, visionary composers-David Lang, Michael Gordon, and Julia Wolfe-nurtured Bang on a Can into a multifaceted organization with a major record deal, a virtuosic in-house ensemble, and a seat at the table at Lincoln Center, and in the process changed the landscape of avant-garde music in the United States. Bang on a Can captured a new public for new music. But they did not do so alone. As the twentieth century came to a close, the world of American composition pivoted away from the insular academy and towards the broader marketplace. In the wake of the unexpected popularity of Steve Reich and Philip Glass, classical presenters looked to contemporary music for relevance and record labels scrambled to reap its potential profits, all while government funding was imperilled by the evangelical right. Other institutions faltered amidst the vagaries of late capitalism, but the renegade Bang on a Can survived-and thrived-in a tumultuous but idealistic moment that made new music what it is today"-- ▼c Provided by publisher.
588 ▼a Description based on online resource; title from digital title page (viewed on January 22, 2021).
590 ▼a Added to collection customer.56279.3
61020 ▼a Bang on a Can (Organization) ▼x History.
61020 ▼a Bang on a Can All-Stars.
61027 ▼a Bang on a Can All-Stars ▼2 fast ▼0 (OCoLC)fst00716252
61120 ▼a Bang on a Can (Music festival)
61127 ▼a Bang on a Can (Music festival) ▼2 fast ▼0 (OCoLC)fst01776950
648 7 ▼a 1900-1999 ▼2 fast
650 0 ▼a Avant-garde (Music) ▼x History ▼y 20th century.
650 0 ▼a Music ▼x Marketing ▼x History ▼y 20th century.
650 0 ▼a Sound recording industry ▼x History ▼y 20th century.
650 7 ▼a Avant-garde (Music) ▼2 fast ▼0 (OCoLC)fst00824287
650 7 ▼a Music ▼x Marketing ▼2 fast ▼0 (OCoLC)fst01030391
650 7 ▼a Sound recording industry ▼2 fast ▼0 (OCoLC)fst01127019
655 7 ▼a History ▼2 fast ▼0 (OCoLC)fst01411628
655 4 ▼a Electronic books.
77608 ▼i Print version: ▼a Robin, William. ▼t Industry ▼d New York : Oxford University Press, 2021. ▼z 9780190068653 ▼w (DLC) 2020025843
85640 ▼3 EBSCOhost ▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2723239
938 ▼a ProQuest Ebook Central ▼b EBLB ▼n EBL6452166
938 ▼a YBP Library Services ▼b YANK ▼n 301864263
938 ▼a YBP Library Services ▼b YANK ▼n 16968146
938 ▼a EBSCOhost ▼b EBSC ▼n 2723239
990 ▼a 관리자
994 ▼a 92 ▼b N$T