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008200420s2021 nyua ob 001 0deng
010 ▼a 2020018291
020 ▼a 9780197540398 ▼q electronic book
020 ▼a 0197540392 ▼q electronic book
020 ▼a 9780197540381 ▼q electronic book
020 ▼a 0197540384 ▼q electronic book
020 ▼a 9780199374977 ▼q (electronic bk.)
020 ▼a 019937497X ▼q (electronic bk.)
020 ▼z 9780199374960 ▼q hardcover
035 ▼a 2628902 ▼b (N$T)
035 ▼a (OCoLC)1159627346
040 ▼a DLC ▼b eng ▼e rda ▼c DLC ▼d YDX ▼d EBLCP ▼d OCLCO ▼d YDX ▼d OCLCF ▼d N$T ▼d 248032
042 ▼a pcc
049 ▼a MAIN
05000 ▼a ML410.A2337 ▼b M37 2021
08200 ▼a 780.92 ▼2 23
1001 ▼a Massey, Drew ▼q (Drew Michael), ▼e author.
24510 ▼a Thomas Ade?s in five essays / ▼c Drew Massey. ▼h [electronic resource]
260 ▼a New York, NY : ▼b Oxford University Press, ▼c [2021]
300 ▼a 1 online resource (198 pages) : ▼b illustrations
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b c ▼2 rdamedia
338 ▼a online resource ▼b cr ▼2 rdacarrier
504 ▼a Includes bibliographical references and index.
5050 ▼a Introduction. The Informal Ade?s -- The Glossary -- The Twelve Tones -- The Song Inside Your Mind : The "New Object" of The Tempest -- The Dilemmas of Musical Surrealism -- The Great Beyond.
520 ▼a "The British composer, conductor, and pianist Thomas Ade?s (b. 1971) has achieved a level of recognition and celebrity within the concert world shared by very few living musicians today, and his compositions enjoy a degree of wide-spread acclaim that places him among the most widely-heard composers working now. His critical and popular successes, at least inside the insulated world of classical music, place him within the absolute mainstream of concert life today. Is he merely pecking over the carcass of a tradition, soon to be subsumed by or abandoned in favor of some other cultural practice? Or does his work suggest possibilities for a concert world waiting to be born? This book, which is the first full-length study of Ade?s's work as a whole in English, seeks to answer - or at least articulate the terms of response to - these questions and others. Considering the diversity of Ade?s's output, this book is structured as a series of essays. These essays are organized thematically. The first two essays considers Ade?s's arrangements and serialist compositions, respectively. The third looks at how his opera The Tempest illuminates much of his music's beguiling contradictions. The fourth considers how Ade?s has been understood as a "surrealist" composer, and the final chapter considers the cosmic sweep of some of his most recent works"-- ▼c Provided by publisher.
588 ▼a Description based on online resource; title from digital title page (viewed on October 08, 2020).
590 ▼a Added to collection customer.56279.3
60010 ▼a Ade?s, Thomas ▼x Criticism and interpretation.
60017 ▼a Ade?s, Thomas ▼2 fast ▼0 (OCoLC)fst00372184
655 4 ▼a Electronic books.
655 7 ▼a Criticism, interpretation, etc. ▼2 fast ▼0 (OCoLC)fst01411635
77608 ▼i Print version: ▼a Massey, Drew (Drew Michael) ▼t Thomas Ade?s in five essays ▼d New York : Oxford University Press, 2020. ▼z 9780199374960 ▼w (DLC) 2020018290
85640 ▼3 EBSCOhost ▼u https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2628902
938 ▼a ProQuest Ebook Central ▼b EBLB ▼n EBL6351949
938 ▼a YBP Library Services ▼b YANK ▼n 16968451
938 ▼a YBP Library Services ▼b YANK ▼n 16961308
938 ▼a EBSCOhost ▼b EBSC ▼n 2628902
990 ▼a 관리자
994 ▼a 92 ▼b N$T