| LDR | | 03286cmm u22005898i 4500 |
| 001 | | 000000316065 |
| 003 | | OCoLC |
| 005 | | 20230525175710 |
| 006 | | m d |
| 007 | | cr ||||||||||| |
| 008 | | 180306s2018 nyu ob 001 0 eng |
| 010 | |
▼a 2018010952 |
| 020 | |
▼a 9780429012570
▼q (electronic bk.) |
| 020 | |
▼a 0429012578
▼q (electronic bk.) |
| 020 | |
▼z 9780429505539 |
| 020 | |
▼z 0429505531 |
| 020 | |
▼z 9781138585102
▼q (hardback) |
| 035 | |
▼a 1777007
▼b (N$T) |
| 035 | |
▼a (OCoLC)1028582885 |
| 040 | |
▼a DLC
▼b eng
▼e rda
▼c DLC
▼d OCLCO
▼d OCLCQ
▼d OCLCF
▼d N$T
▼d 248032 |
| 042 | |
▼a pcc |
| 043 | |
▼a f-rh--- |
| 049 | |
▼a MAIN |
| 050 | 10 |
▼a ML1015.M25 |
| 072 | 7 |
▼a MUS
▼x 023030
▼2 bisacsh |
| 072 | 7 |
▼a MUS
▼x 037080
▼2 bisacsh |
| 082 | 00 |
▼a 786.8/5096891
▼2 23 |
| 100 | 1 |
▼a Gimenez Amoros, Luis,
▼e author. |
| 245 | 10 |
▼a Tracing the Mbira sound archive in Zimbabwe /
▼c Luis Gimenez Amoros. |
| 260 | |
▼a New York :
▼b Routledge,
▼c 2018. |
| 263 | |
▼a 1805 |
| 300 | |
▼a 1 online resource |
| 336 | |
▼a text
▼b txt
▼2 rdacontent |
| 337 | |
▼a computer
▼b c
▼2 rdamedia |
| 338 | |
▼a online resource
▼b cr
▼2 rdacarrier |
| 504 | |
▼a Includes bibliographical references and index. |
| 505 | 0 |
▼a Reconsidering the colonial archive -- The mobilisation of Shona musical identity during colonial times -- Reconsidering the colonial creation of Shona musical identity and Shona Mbiras -- An attempt to link colonial and postcolonial narratives in the sound archive: Andrew Tracey's "Shona chord finder" and the Mbira country beyond borders -- Lyrics and reinterpretations of Shona-Mbira recordings -- Reconsidering the sound archive and postcolonial nationhood -- The centralisation of great Zimbabwe and the multiple versions of chaminuka in the sound archive -- Chimurenga music: Mbira musical culture and the subaltern versions of postcolonial nationhood -- The digital return and revitalisation project of the Mbira sound archive in Zimbabwe -- Digital return and repatriation of the sound archive in Zimbabwe -- Revitalising the repertoire through Zimbabwean musicians -- The digital return in the place of the recordings -- Curricula transformation in the African academy through the sound archive. |
| 588 | 0 |
▼a Print version record and CIP data provided by publisher; resource not viewed. |
| 590 | |
▼a Added to collection customer.56279.3 - Master record variable field(s) change: 072 |
| 650 | 0 |
▼a Mbira music
▼z Zimbabwe
▼x History and criticism. |
| 650 | 0 |
▼a Shona (African people)
▼x Music
▼x History and criticism. |
| 650 | 7 |
▼a Mbira music.
▼2 fast
▼0 (OCoLC)fst01012986 |
| 650 | 7 |
▼a Shona (African people)
▼x Music.
▼2 fast
▼0 (OCoLC)fst01426612 |
| 650 | 7 |
▼a MUSIC / Musical Instruments / Piano & Keyboard
▼2 bisacsh |
| 650 | 7 |
▼a MUSIC / Printed Music / Percussion
▼2 bisacsh |
| 651 | 7 |
▼a Zimbabwe.
▼2 fast
▼0 (OCoLC)fst01209419 |
| 655 | 7 |
▼a Criticism, interpretation, etc.
▼2 fast
▼0 (OCoLC)fst01411635 |
| 655 | 4 |
▼a Electronic books. |
| 776 | 08 |
▼i Print version:
▼a Gimenez Amoros, Luis.
▼t Tracing the Mbira sound archive in Zimbabwe.
▼d New York : Routledge, 2018
▼z 9781138585102
▼w (DLC) 2018008536 |
| 856 | 40 |
▼3 EBSCOhost
▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1777007 |
| 938 | |
▼a EBSCOhost
▼b EBSC
▼n 1777007 |
| 990 | |
▼a 관리자 |
| 994 | |
▼a 92
▼b N$T |