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LDR03886cmm uu200589Ki 4500
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008140411s2014 nyu ob 000 0 eng d
020 ▼a 9781623563608 (electronic bk.)
020 ▼a 1623563607 (electronic bk.)
020 ▼z 9781623561833
020 ▼z 1623561833
035 ▼a (OCoLC)876389144
040 ▼a N$T ▼b eng ▼e rda ▼e pn ▼c N$T ▼d OCLCO ▼d YDXCP ▼d E7B ▼d OCLCO ▼d 248032
049 ▼a K4RA
050 4 ▼a ML420.J113
072 7 ▼a MUS ▼x 042000 ▼2 bisacsh
072 7 ▼a MUS ▼x 052000 ▼2 bisacsh
072 7 ▼a MUS ▼x 037110 ▼2 bisacsh
08204 ▼a 782.421649092 ▼2 23
084 ▼a MUS020000 ▼a MUS031000 ▼a MUS049000 ▼2 bisacsh
1001 ▼a Ferguson, Jordan, ▼d 1977, ▼e author.
24510 ▼a J. Dilla's Donuts / ▼c Jordan Ferguson.
264 1 ▼a New York : ▼b Bloomsbury Publishing, ▼c 2014.
300 ▼a 1 online resource.
336 ▼a text ▼b txt ▼2 rdacontent
337 ▼a computer ▼b c ▼2 rdamedia
338 ▼a online resource ▼b cr ▼2 rdacarrier
4901 ▼a 33 1/3
504 ▼a Includes bibliographical references.
5058 ▼a Machine generated contents note: -- 1. Welcome to the Show 2. The Diff'rence 3. Hi. 4. Waves 5. Stop! 6. The Twister (Huh, What) 7. Workinonit 8. Two Can Win 9. Geek Down 10. The New 11. Bye.
520 ▼a "From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James "J Dilla" Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as "hip hop music" is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next. The samples and melodies tell the story of a man coming to terms with his declining health, a final love letter to the family and friends he was leaving behind. As a prolific producer with a voracious appetite for the history and mechanics of the music he loved, J Dilla knew the records that went into constructing Donuts inside and out. He could have taken them all and made a much different, more accessible album. If the widely accepted view is that his final work is a record about dying, the question becomes why did he make this record about dying? Drawing from philosophy, critical theory and musicology, as well as Dilla's own musical catalogue, Jordan Ferguson shows that the contradictory, irascible and confrontational music found on Donuts is as much a result of an artist's declining health as it is an example of what scholars call "late style," placing the album in a musical tradition that stretches back centuries"-- ▼c Provided by publisher.
520 ▼a "A compelling, multidisciplinary analysis of hip-hop producer J Dilla's deathbed record Donuts as both a cultural artifact and an example of historical 'late style'"-- ▼c Provided by publisher.
588 ▼a Description based on print version record.
60000 ▼a J Dilla, ▼d 1974-2006. ▼t Donuts.
60000 ▼a J Dilla, ▼d 1974-2006 ▼x Criticism and interpretation.
650 0 ▼a Rap (Music) ▼x History and criticism.
650 7 ▼a MUSIC / History & Criticism. ▼2 bisacsh
650 7 ▼a MUSIC / Genres & Styles / Rap & Hip Hop. ▼2 bisacsh
650 7 ▼a MUSIC / Genres & Styles / General. ▼2 bisacsh
650 7 ▼a MUSIC / Instruction & Study / Voice. ▼2 bisacsh
650 7 ▼a MUSIC / Lyrics. ▼2 bisacsh
650 7 ▼a MUSIC / Printed Music / Vocal. ▼2 bisacsh
655 4 ▼a Electronic books.
77608 ▼i Print version: ▼a Ferguson, Jordan, 1977- author. ▼t J. Dilla's Donuts ▼z 9781623561833 ▼w (DLC) 2013046268 ▼w (OCoLC)857981913
830 0 ▼a 33 1/3.
85640 ▼3 EBSCOhost ▼u http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=752491
938 ▼a EBSCOhost ▼b EBSC ▼n 752491
938 ▼a YBP Library Services ▼b YANK ▼n 11674752
938 ▼a ebrary ▼b EBRY ▼n ebr10862001
990 ▼a 관리자