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Picturing the floating world : ukiyo-e in context /
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| 자료유형 | E-Book |
|---|---|
| 개인저자 | Davis, Julie Nelson, 1963-, author. |
| 서명/저자사항 | Picturing the floating world :ukiyo-e in context /Julie Nelson Davis. |
| 형태사항 | 1 online resource (xvii, 204 pages) : illustrations (chiefly color) |
| 소장본 주기 | OCLC control number change |
| ISBN | 9780824889357 0824889355 9780824889340 0824889347 9780824889333 0824889339 |
| 서지주기 | Includes bibliographical references and index. |
| 내용주기 | Inventing the Pictures of the Floating World -- Creating the Brocade Pictures of the East -- Making Famous Names -- Expanding Horizons -- Epilogue: Evoking the Floating World. |
| 요약 | "Today we think of ukiyo-e-"the pictures of the floating world"--As masterpieces of Japanese art, highly prized throughout the world. Yet it is often said that ukiyo-e were little appreciated in their own time and were even used as packing material for ceramics. In Picturing the Floating World Julie Nelson Davis debunks this myth and demonstrates that ukiyo-e was thoroughly appreciated as a field of artistic production, worthy of connoisseurship and canonization by its contemporaries. Putting these images back into their dynamic context, she shows how consumers, critics, and makers produced and sold, appraised and collected, described and recorded ukiyo-e. She recovers this multilayered world of pictures in which some were made for a commercial market, backed by savvy entrepreneurs looking for new ways to make a profit, while others were produced for private coteries and high-ranking connoisseurs seeking to enrich their cultural capital. The book opens with an analysis of period documents to establish the terms of appraisal brought to ukiyo-e in late eighteenth-century Japan, mapping the evolution of the genre from a century earlier and the development of its typologies and the creation of a canon of makers-both of which have defined the field ever since. Organized around divisions of major technological and aesthetic developments, the book reveals how artistic practice and commercial enterprise were intertwined throughout ukiyo-e's history, from its earliest imagery through the twentieth century. The depiction of particular subjects in and for the floating world of urban Edo and the process of negotiating this within the larger field of publishing are examined to further ground ukiyo-e as material culture, as commodities in a mercantile economy. Picturing the Floating World offers a new approach: a critical yet accessible analysis of the genre as it was developed in its social, cultural, and political milieu. The book introduces students, collectors, and enthusiasts to ukiyo-e as a genre under construction in its own time while contributing to our understanding of early modern visual production"-- |
| 일반주제명 | Ukiyoe -- History. Illustration of books -- Japan -- Edo period, 1600-1868. Ukiyo-e -- Histoire. Illustration des livres -- Japon -- 1600-1868 (E?poque d'Edo) Illustration of books -- Edo period. Ukiyoe. |
| 주제명(지명) | Japan. -- fast |
| 언어 | 영어 |
| 기타형태 저록 | Print version:Davis, Julie Nelson, 1963-Picturing the floating world.Honolulu : University of Hawai軻i Press, 20219780824889210 |
| 대출바로가기 | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2700507 |
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| No. | 등록번호 | 청구기호 | 소장처 | 도서상태 | 반납예정일 | 예약 | 서비스 | 매체정보 |
|---|---|---|---|---|---|---|---|---|
| 1 | WE00022589 | 709.52 | 가야대학교/전자책서버(컴퓨터서버)/ | 대출가능 |
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