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Grand illusion : phantasmagoria in nineteenth-century opera / [electronic resource]
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| 자료유형 | E-Book |
|---|---|
| 개인저자 | Cruz, Gabriela Gomes da, 1965-, author. |
| 서명/저자사항 | Grand illusion :phantasmagoria in nineteenth-century opera /Gabriela Cruz.[electronic resource] |
| 발행사항 | New York, NY : Oxford University Press, [2020] |
| 발행예정일자 | 2007 |
| 형태사항 | 1 online resource : illustrations, music |
| 소장본 주기 | Master record variable field(s) change: 050 |
| ISBN | 9780190915087 0190915080 0190915072 9780190915063 0190915064 9780190915070 |
| 서지주기 | Includes bibliographical references and index. |
| 내용주기 | Introduction. The Modernity of Grand Opera -- Opera and Beauty -- Gaslight and Phantasmagoria at the Ope?ra -- The Diorama, Apparitions and Dream Image in Robert le Diable -- The Phantom Ship in Der fliegende Holla?nder and L'Africaine -- The Poetics of Sensation in L'Africaine and Tristan und Isolde -- Aida, Egyptomania and the After-Life of Grand Opera. |
| 요약 | "Grand Illusion is a new history of grand opera as an art of illusion facilitated by the introduction of gaslight illumination at the Acade?mie Royale de Musique (Paris) in the 1820s. It contends that gaslight and the technologies of illusion used in the theater after the 1820s spurred the development of a new lyrical art, attentive to the conditions of darkness and radiance, and inspired by the model of phantasmagoria. Karl Marx, Walter Benjamin and Theodor Adorno have used the concept of phantasmagoria to arrive at a philosophical understanding of modern life as total spectacle, in which the appearance of things supplants their reality. The book argues that the Acade?mie became an early laboratory for this historical process of commodification, for the transformation of opera into an audio-visual spectacle delivering dream-like images. It shows that this transformation began in Paris and then defined opera after the mid-century. In the hands of Giacomo Meyerbeer (Robert le Diable, L'Africaine), Richard Wagner (Der fliegende Holla?nder, Lohengrin and Tristan und Isolde) and Giuseppe Verdi (Aida), opera became an expanded form of phantasmagoria"-- |
| 일반주제명 | Opera -- 19th century. Opera -- Production and direction -- History -- 19th century. Opera. Opera -- Production and direction. |
| 언어 | 영어 |
| 기타형태 저록 | Print version:Cruz, Gabriela Gomes da, 1965-Grand illusion.New York : Oxford University Press, 20209780190915056 |
| 대출바로가기 | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2576093 |
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