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Hearing homophony : tonal expectation at the turn of the seventeenth century / [electronic resource]
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| 자료유형 | E-Book |
|---|---|
| 개인저자 | Long, Megan Kaes, author. |
| 서명/저자사항 | Hearing homophony :tonal expectation at the turn of the seventeenth century /Megan Kaes Long.[electronic resource] |
| 발행사항 | New York, NY : Oxford University Press, [2020] |
| 형태사항 | 1 online resource (viii, 288 pages) : illustrations, maps. |
| 총서사항 | Oxford studies in music theory |
| 소장본 주기 | Master record variable field(s) change: 050 |
| ISBN | 9780190851910 0190851910 9780190851934 0190851937 9780190851927 0190851929 |
| 서지주기 | Includes bibliographical references and index. |
| 요약 | "This book examines a repertoire of homophonic vernacular partsongs composed around the turn of the seventeenth century, and considers how these partsongs exploit rhythm, meter, phrase structure, and form to craft harmonic trajectories. Giovanni Giacomo Gastoldi, Thomas Morley, Hans Leo Hassler, and their contemporaries engineered a particular kind of centricity that is distinctively tonal: they strategically deployed dominant harmonies at regular periodicities and in combination with poetic, phrase structural, and formal cues, thereby creating expectation for tonic harmonies. Homophony provided an ideal venue for these experiments: spurred by an increasing demand for comprehensible texts, composers of partsongs developed rigid text setting procedures that promoted both metrical regularity and consistent phrase rhythm. This rhythmic consistency had a ripple effect: it encouraged composers to design symmetrical phrase structures and to build comprehensive, repetitive, and predictable formal structures. Thus, homophonic partsongs create and exploit trajectories from dominants to tonics on multiple scales, from cadence to sub-phrase to phrase to form. Ultimately, this book argues for a model of tonality-and of tonality's history-that centers not pitch, but rhythm and meter. Metrically oriented harmonic trajectories encourage tonal expectation. And we can locate these trajectories in a variety of repertoires, including those that we traditionally understand as "modal." ""-- |
| 일반주제명 | Vocal music -- 16th century -- History and criticism. Vocal music -- 16th century -- Analysis, appreciation. Vocal music -- 17th century -- History and criticism. Vocal music -- 17th century -- Analysis, appreciation. Vocal music. Vocal music -- Analysis, appreciation. |
| 언어 | 영어 |
| 기타형태 저록 | Print version:Long, Megan Kaes.Hearing homophonyNew York : Oxford University Press, 2020.9780190851903 |
| 대출바로가기 | https://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2440720 |
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| No. | 등록번호 | 청구기호 | 소장처 | 도서상태 | 반납예정일 | 예약 | 서비스 | 매체정보 |
|---|---|---|---|---|---|---|---|---|
| 1 | WE00020243 | 782.4209/032 | 가야대학교/전자책서버(컴퓨터서버)/ | 대출가능 |
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