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The Komedi Bioscoop : The Emergence of Movie-Going in Colonial Indonesia, 1896-1914 [electronic resource]

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개인저자Ruppin, Dafna.
서명/저자사항The Komedi Bioscoop[electronic resource] :The Emergence of Movie-Going in Colonial Indonesia, 1896-1914.
발행사항Bloomington, IN : John Libbey Publishing, 2016.
형태사항1 online resource (361 p.)
총서사항KINtop Studies in Early Cinema
소장본 주기Master record variable field(s) change: 082, 650
ISBN9780861969234
0861969235
일반주기 Description based upon print version of record.
Chapter 4 Surabaya: Queen City of Moving Picture Venues
내용주기Cover; The Komedi Bioscoop: Early Cinema in Colonial Indonesia; Title; Copyright; Contents; Foreword ; Glossary and Notes on Language, Spelling and Currency ; Prologue ; Introduction ; Historical Context: The Late Colonial State in Indonesia ; Current State of Research on Early Cinema in Colonial Indonesia
Time Frame, Geographical Scope and Sources Engaging with Modernity ; Trade Networks and Turn-of-the-Century Intermedial Entertainment Landscape ; Indies Spectators and Spectatorial Positions: An Overview ; Chapter Outline ; PART I Emerging Networks of Entertainment
Chapter 1 Trials and Tribulations of Early Travelling Shows, 1896-1898 1.1 Introduction of Animated Photography: Harley's Kinetoscope, 1896 ; 1.2 "Truly Scientific Entertainment": Talbot's Scenimatograph, 1896-1897 ; 1.3 Moving Pictures Incorporated into Other Entertainment Forms
1.4 Conclusion Chapter 2 The Dutch Come into the Picture ; 2.1 The Dutch Subsidiary of the American Biograph ; 2.2 The American Biograph as Java Biorama ; 2.3 The Java Cineograph Company ; 2.4 Conclusion
Chapter 3 Komedi Bioscoop, Indische Films and the Localisation of Film Exhibition 3.1 Manifestations of the Indische in Local Popular Culture ; 3.2 Abdulally Esoofally ; 3.3 The Netherlands Indies Biograph Company ; 3.4 Conclusion ; PART II Local Cinema Cultures
요약The Komedi Bioscoop traces the emergence of a local culture of movie-going in the Netherlands Indies (present-day Indonesia) from 1896 until the First World War in 1914. It outlines the introduction of the new technology by independent touring exhibitors, the constitution of a market for moving picture shows, the embedding of moving picture exhibitions within the local popular entertainment scene, and the Dutch colonial authorities' efforts to control film consumption and distribution. Focusing on the cinema as a social institution in which technology, race, and colonialism converged, moving picture venues in the Indies-ranging from canvas or bamboo tents to cinema palaces of brick and stone-are perceived as liminal spaces in which daily interactions across boundaries could occur within colonial Indonesia's multi-ethnic and increasingly polarized colonial society.
일반주제명Motion picture industry -- Indonesia -- History.
PERFORMING ARTS / Reference
언어영어
기타형태 저록Print version:Ruppin, DafnaThe Komedi Bioscoop : The Emergence of Movie-Going in Colonial Indonesia, 1896-1914Bloomington, IN : John Libbey Publishing,c20169780861967230
대출바로가기http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1353178

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